Arts review: Human Locomotion – mesmerising dancing spoiled by too much dry and flat dialogue
This drama about pioneering Victorian photographer Eadweard Muybridge is visually stunning, with sensual dancing, but the narrative doesn’t add much to the piece, except to interrupt the celebration of the beauty of the human form
Laterna magika’s Human Locomotion is a multimedia dance drama about the 19th century photographer Eadweard Muybridge, and the dancers’ tribute to the eccentric innovator’s stop-motion technique is on target, stunning to look at and incredibly sensual. However, too much of the 80-minute production is taken up by flat dialogue about his discovery of his neglected wife’s love affair. Even the murder of his rival was strangely unengaging.
The theatre group from the Czech Republic mixes dance with drama and is widely lauded for its visual wizardry, something which Muybridge devoted his entire life to (rather than to his wife, who is made out to be giggly and childish here).
He made a device called the Zoopraxiscope that he used to create the first motion pictures. The idea is similar to today’s GIF videos which are also made with showing many still images shown in quick succession. His 1887 Dancing, Waltz, Two Models, shows a man and a woman moving together closely, a private moment captured by the a photographer obsessed with capturing fleeting instances. On stage, pairs of dancers perform a series of fluid duets.
It is evident again when two well-made male dancers fight on an elevated walkway as the actors playing Muybridge and his wife’s lover look on impassively. The fighters strip down and engage in slow-motion, superbly choreographed combat with some headbutting to provide a spot of light relief.
And the three-year-old production is worth seeing, even though the best moments are all too often interrupted by the prosaic narrative of the drama’s all-too mortal characters. It is ironic, perhaps, that a photographer who spent his entire life trying to make the moment eternal would commit murder in real life. But Human Locomotion would have done better by focusing more on the immortality of art, which after all, is the legacy of Muybridge, and not his personal life.
This review is based on the Sept 29 performance of Human Locomotion at the Sai Wan Ho Civic Centre Theatre, 111 Shau Kei Wan Rd, Sai Wan Ho, tel: 3184 5777