Conductor Elim Chan thrilled to be making hometown debut with HK Phil
29-year-old hopes children’s concerts tonight and tomorrow with city orchestra will earn her a return to the Philharmonic rostrum, and brushes aside fuss about its alleged lack of support for local musicians like her
Hong Kong conductor Elim Chan is riding a wave of success. Winning the Donatella Flick LSO Conducting Competition in December 2014 earned Chan a year-long stint as assistant conductor of the London Symphony Orchestra. This week she is back home to conduct the Hong Kong Philharmonic in a children’s programme called “Harry Wong’s Christmas”.
The concerts on December 23 and 24 feature magician Harry Wong as presenter, and the music includes the “Troika” from Prokofiev’s Lieutenant Kijé, Tchaikovsky’s Nutcracker Suite, arrangements of Christmas music and sing-along carols.
This week, in an interview, the 29-year-old waved aside the fuss and talked instead about how exhilarated she is to be working with the Hong Kong Philharmonic.
With her glossy hair in a ponytail after a rehearsal, she said: “It’s really exciting because this is a homecoming. When I studied conducting, I hoped that one day I would come back, but it was quite far away until the competition happened and London happened. The Hong Kong Philharmonic came to contact me and I was very grateful.”
Deciding that music was her destiny, she went on to earn a doctorate at the University of Michigan in the United States. With no expectations, she entered the Donatella Flick conducting competition and was selected to go to London.
After making it to the final round she found herself conducting Ravel’s Scheherazade with the London Symphony Orchestra. “They are actually very kind people. I was very moved and surprised too. Of course I was scared to death. It was the first time I had done Scheherazade. During the break, they were like, ‘We’re the LSO. Don’t worry about us. We’re here to play for you. Stop all these nerves. Don’t try to impress us, just [be yourself].’”
Being a guest conductor is like a speed date. You have a short amount of time and you try to make things happen
As a conductor, she is a team player who helps performers play their best. “It’s really uncomfortable for me to get all the credit. Being a leader is always, constantly, putting myself in the players’ shoes. In the end it’s about me serving them, instead of ‘making me feel awesome’.
“It’s very different from back in the day with huge conductors from Toscanini to Karajan. With the society we have now, it’s a lot more about collaboration. I think the product that comes out from this sense is much more beautiful. When the orchestra knows that you trust them, they actually step it up.”
Looking forward, she hopes to return to conduct the Hong Kong Philharmonic again in the future. “I’d be very happy if I could come back. It depends on if the orchestra likes me.”
Comparing being principal conductor to being married to an orchestra, she said: “You can be very honest and work things out over time. But being a guest conductor is like a speed date. You have a short amount of time and you try to make things happen.”