Guo Pei is among the Chinese designers who have made a name for themselves in Paris. Photo: Handout
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https://scmp.com/news/china/society/article/3043659/made-china-given-new-meaning-paris-embraces-chinese-fashion People & Culture
‘Made in China’ given new meaning as Paris embraces Chinese fashion designers
- Brands are disproving outdated stereotypes about Chinese-made clothing being of lower quality
- Chinese boutiques making their mark internationally while becoming more desirable to domestic consumers
A model presents a creation by Shiatzy Chen during a fashion show in Paris. Photo: AFP
“Made in China” may still evoke more off-the-rack than catwalk, but Chinese designers are slowly installing themselves in Paris, the fashion capital, as a part of an upscale march towards the lucrative luxury market, a segment that is increasingly made up of Chinese shoppers.
As Paris gears up for its next run of shows early in the new year, it is clear that Chinese designers have made it into the rarefied world of fashion.
Think Guo Pei, the Chinese-born and trained couturier best known for the massive canary-yellow coronation cape worn by Rihanna that stole the show at the New York Met’s 2015 gala.
Guo, who has a Paris boutique, will present her haute culture collection. Several other Chinese designers, such as Uma Wang, Masha Ma, Yang Li, Jarel Zhang, Dawei and Shangguan Zhe, will show their collections at the ready-to-wear shows in February.
“We’re starting to see fashion coming from China aimed at the entire world and which is creating new ideas about the country – a new ‘Made in China’ of quality and refinement,” Isabelle Capron, head of Chinese fashion group Icicle’s Paris office, said.
Founded in Shanghai in 1997, Icicle has 270 shops in China and generates 250 million euros (US$277 million) in annual sales.
Under the label’s back-to-nature ethos, it favours natural fabrics like cashmere, silk, cotton, wool and linen. It uses natural dyes made from onions, walnut bark, woad and tea to colour the clothes it makes in the three factories that it owns in China.
The Chinese firm opened its first international store in September, in the heart of Paris’ “Golden Triangle” of luxury boutiques.
“It’s a springboard for our internationalisation,” Capron said. “Paris is the capital of fashion, and the goal is to give our brand visibility.”
Even though many Western brands are produced in China, European consumers still view clothes tagged “Made in China” as being of mediocre quality.
“Stereotypes are very tenacious: seven years ago when I said I was joining a Chinese group, some people looked at me and it was clear that ‘the Chinese have no taste’ and ‘the Chinese are poor-quality manufacturers’ were running through their heads,” Capron said.
“But today, there has been a real swing – this new wave of Chinese brands is a tidal wave.”
Designer Shangguan Zhe, founder of the Sankuanz label based in the Chinese port city of Xiamen, made his international debut in London in 2015.
Models prepare backstage for a Shiatzy Chen fashion show in Paris. Photo: AFP
Now a regular at the Paris men’s ready-to-wear shows, Shangguan said he has not encountered stereotypes or challenges based on his nationality from fellow designers.
“People from outside the industry are more likely to have these stereotypes,” he said. “People from within the industry are fully aware of the level China’s manufacturing is at. The quality is actually getting better and better.
“Paris is a very international stage. People don’t really care where you came from. The product itself is more important.”
Shiatzy Chen, a fashion house founded in 1978 in Taiwan, produces its clothes in Shanghai and Taipei. It has staged shows in Paris for a decade and has a boutique in one of Paris’ most exclusive streets.
Why Paris? “Paris is the centre of Western fashion and the birthplace of the couture,” Wang Chen Tsai-Hsia, who founded the fashion house and who has been dubbed the Coco Chanel of Taiwan, said. “A design studio in Paris, the heart of couture, helps us to explore complex Western construction techniques as well as stay on top of the latest trends.”
The label, which set itself a mission to create “neo-Chinese chic” through a fusion of East and West, has 70 boutiques throughout Asia. The collections marry traditional techniques with contemporary cuts.
“To be attractive, including for Chinese clients, a Chinese label cannot limit itself to boutiques at home; it must also be present in Paris, which fascinates [the Chinese],” said luxury goods expert Eric Briones, noting that China today represents about 35 per cent of the global luxury goods market.
“[This] rise of a new ‘Made in China’ is just the start of a revolution, initiated by a young generation that wants to consume Chinese,” Briones, who co-founded the Paris School of Luxury, said.
“It is a return to favour for local brands, which began with streetwear and is now spreading to luxury clothes.”