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    <title>Madeleine Thien - South China Morning Post</title>
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      <description>When we were young, my sister and I were members of Vancouver Chinatown’s traditional dance troupe. Dressed as peacocks and tea pickers, complete with swirling ribbons or painted fans, we were joyful and colourful ornaments in a neighbourhood that, in the early 1980s, was impoverished but proudly vibrant.
My family had arrived in Canada, via Hong Kong and Malaysia, in 1974. My parents worked multiple jobs and sent us to school on the edges of Chinatown. Daily Chinese classes failed to dent our...</description>
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      <pubDate>Mon, 16 Oct 2017 12:15:00 +0000</pubDate>
      <title>Are Chinatowns obsolete, asks Madeleine Thien, Canadian novelist who grew up in one</title>
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      <description>Map of the Invisible World
by Tash Aw
HarperCollins
HK$221
Tash Aw's  impressive second novel opens in 1964, Indonesia's Year of Living Dangerously, when  President Sukarno was at the height, indeed the cliff edge, of his power. Map of the Invisible World draws us into the psychological landscapes of five complex individuals - a Dutch painter, an American scholar, two orphaned Sumatran boys and a Jakarta student - who struggle to assert themselves in a nation increasingly at war with...</description>
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      <pubDate>Sat, 25 Jul 2009 16:00:00 +0000</pubDate>
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      <description>Revolutionary Road
by Richard Yates
Vintage, HK$108
'To write so well,' wrote Stewart O'Nan  of Richard Yates, 'and then to be forgotten is a terrifying legacy.'
At the time of O'Nan's 1999 essay Yates had been dead for seven years and his nine books were almost all out of print. Now, 47 years after publication, Revolutionary Road, his first novel, has arrived on the best-sellers lists, having made its long journey from the underground to centre stage, thanks not least to the forthcoming...</description>
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      <pubDate>Sat, 24 Jan 2009 16:00:00 +0000</pubDate>
      <title>Revolutionary Road</title>
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      <description>Madwoman on the Bridge
by Su Tong
Black Swan, HK$128
'History, as I see it,' Su Tong wrote in his novel My Life as An Emperor, 'is music and singing outside of the walls, nightmares of rainy nights.  I, as history sees me, am but a frog  in a well.'
Whether truck drivers, fertility experts, folklorists, book-keepers or geologists, the characters in the short stories of Madwoman on the Bridge are simultaneously trapped within the well and hollering outside its walls. They exist in the tumult...</description>
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      <pubDate>Sat, 20 Sep 2008 16:00:00 +0000</pubDate>
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