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      <description>The stand-off between Bong Joon-ho and Harvey Weinstein over the United States cut of Snowpiercer (2013) had all the hallmarks of a scene the director might shoot himself. High drama. The Korean auteur versus the bullish American. Philosophical questions of artistic integrity in the time of mass consumption. Gallows humour.
Snowpiercer is a unique hybrid. It looks like a slick Hollywood action movie but with revolutionary themes, depicting a class rebellion set in a sci-fi dystopia led by none...</description>
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      <pubDate>Thu, 10 Oct 2019 23:15:11 +0000</pubDate>
      <title>Korean director Bong Joon-ho on getting his way with Harvey Weinstein and his latest film, the Palme d’Or winner Parasite</title>
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      <description>The last time John Cho went to the South Korean capital, Seoul, from which his family emigrated when he was six, he was described with a word he had never heard before.
“I didn’t know whether to be flattered or not,” Cho says. “But I had to admit that maybe I have this quality. The word is um-ah-chin.”
“Um-chin-ah,” I correct him. It’s an abbreviated phrase that roughly translates to “your mother’s friend’s son”. That is, the kid you’re exhaustively compared with growing up: the one who gets...</description>
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      <title>Why everyone loves Korean-American actor John Cho</title>
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