<?xml version="1.0"?>
<rss version="2.0" xml:base="link" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:fb="http://www.facebook.com/2008/fbml" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:media="http://www.rssboard.org/media-rss" xmlns:og="http://ogp.me/ns#" xmlns:rdfs="http://www.w3.org/2000/01/rdf-schema#" xmlns:schema="http://schema.org/" xmlns:sioc="http://rdfs.org/sioc/ns#" xmlns:sioct="http://rdfs.org/sioc/types#" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:xsd="http://www.w3.org/2001/XMLSchema">
  <channel>
    <title>Spotlight on Africa - South China Morning Post</title>
    <link>https://www.scmp.com/rss/325127/feed</link>
    <description/>
    <language>en</language>
    <image>
      <url>https://assets.i-scmp.com/static/img/icons/scmp-meta-1200x630.png</url>
      <title>Spotlight on Africa - South China Morning Post</title>
      <link>https://www.scmp.com</link>
    </image>
    <atom:link href="https://www.scmp.com/rss/325127/feed" rel="self" type="application/rss+xml"/>
    <item>
      <description>Western cultural identity, norms, and traditions have dominated the global art scene for centuries. Colonialism – a policy of acquiring full or partial political, economic, and cultural control over another country – has played a key role in this.
Education under colonial rule wasn’t designed to make us Africans think. It was made to make us follow, to turn us into zombies
Ayodele Olofintuade, Nigerian author
Besides exploiting a country’s resources and people for Western economic gain, the...</description>
      <guid isPermaLink="true">https://www.scmp.com/native/lifestyle/topics/spotlight-africa/article/2117898/africas-artists-step-shadows-colonialism?utm_source=rss_feed</guid>
      <link>https://www.scmp.com/native/lifestyle/topics/spotlight-africa/article/2117898/africas-artists-step-shadows-colonialism?utm_source=rss_feed</link>
      <pubDate>Thu, 02 Nov 2017 08:30:30 +0000</pubDate>
      <title>Africa’s artists step from shadows of colonialism and into the limelight</title>
      <enclosure length="1024" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/images/methode/2017/11/02/a7700f66-beb1-11e7-b942-6d23cbdef96a_image_hires_163325.jpg?itok=6YO94eN4&amp;v=1509611610"/>
      <media:content height="576" medium="image" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/images/methode/2017/11/02/a7700f66-beb1-11e7-b942-6d23cbdef96a_image_hires_163325.jpg?itok=6YO94eN4&amp;v=1509611610" width="1024"/>
    </item>
    <item>
      <description>From dundun drums and kora harps to ngoni guitars and ghaita flutes, Africa’s musical instrument heritage is as fascinating and diverse as the continent itself. The role of these and other instruments – some simple, others intricate – goes beyond the entertainment factor. Most of them play a fundamental role in local storytelling traditions, cultural rites and official ceremonies.
Mountains to mainstream
One instrument that speaks most to people’s imagination is the North African ghaita, which...</description>
      <guid isPermaLink="true">https://www.scmp.com/native/lifestyle/topics/spotlight-africa/article/2115643/musical-flair-celebrating-africas-amazing?utm_source=rss_feed</guid>
      <link>https://www.scmp.com/native/lifestyle/topics/spotlight-africa/article/2115643/musical-flair-celebrating-africas-amazing?utm_source=rss_feed</link>
      <pubDate>Thu, 19 Oct 2017 01:30:19 +0000</pubDate>
      <title>Musical flair: celebrating Africa’s amazing and diverse heritage in music</title>
      <enclosure length="5760" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/images/methode/2017/10/19/bc765dca-b240-11e7-95c2-e7a557915c7a_image_hires_103201.jpg?itok=I9HT424T&amp;v=1508380335"/>
      <media:content height="3840" medium="image" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/images/methode/2017/10/19/bc765dca-b240-11e7-95c2-e7a557915c7a_image_hires_103201.jpg?itok=I9HT424T&amp;v=1508380335" width="5760"/>
    </item>
    <item>
      <description>Where a woman rules, streams run uphill, says an ancient Ethiopian proverb, meaning that women are among Africa’s key game-changers.
In terms of the continent’s performing arts scene, this couldn’t be truer. Take Angélique Kidjo. Born in Cotonou, Benin, the songstress was the first woman listed as one of “the 40 Most Powerful Celebrities In Africa” by Forbes Magazine. Kidjo – who will perform at the World Cultures Festival on November 3 – has won three Emmys and dozens of regional and global...</description>
      <guid isPermaLink="true">https://www.scmp.com/native/lifestyle/topics/spotlight-africa/article/2114203/african-women-show-why-they-are-powerful?utm_source=rss_feed</guid>
      <link>https://www.scmp.com/native/lifestyle/topics/spotlight-africa/article/2114203/african-women-show-why-they-are-powerful?utm_source=rss_feed</link>
      <pubDate>Mon, 09 Oct 2017 01:46:23 +0000</pubDate>
      <title>African women show why they are powerful celebrities, playing a crucial role in performance arts</title>
      <enclosure length="5472" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/images/methode/2017/10/06/320139be-a811-11e7-ac3e-6a4e39b7ad7c_image_hires_091248.jpg?itok=-SwJO0zQ&amp;v=1507252380"/>
      <media:content height="3648" medium="image" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/images/methode/2017/10/06/320139be-a811-11e7-ac3e-6a4e39b7ad7c_image_hires_091248.jpg?itok=-SwJO0zQ&amp;v=1507252380" width="5472"/>
    </item>
    <item>
      <description>Africa’s performing arts traditions are as rich, fascinating, and diverse as the continent itself. From Egypt and Nigeria to South Africa, and any other of the 54 countries that lie in between, song, dance, music, and drama – often in combination – have always been the glue that unites, inspires, educates, and entertains the masses.
Egypt: performing arts cradle
It all started in Egypt some 4,000 years ago, the stage of what can be described as the world’s first theatrical production. This is at...</description>
      <guid isPermaLink="true">https://www.scmp.com/native/lifestyle/topics/spotlight-africa/article/2113030/cape-cairo-telling-africas-stories-world?utm_source=rss_feed</guid>
      <link>https://www.scmp.com/native/lifestyle/topics/spotlight-africa/article/2113030/cape-cairo-telling-africas-stories-world?utm_source=rss_feed</link>
      <pubDate>Thu, 28 Sep 2017 01:46:59 +0000</pubDate>
      <title>From Cape to Cairo: telling Africa’s stories to the world on stage</title>
      <enclosure length="2992" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/images/methode/2017/09/29/394f8408-a33b-11e7-84b5-dfc1701cb40c_image_hires_171312.JPG?itok=SPg0bnsA&amp;v=1506676402"/>
      <media:content height="2000" medium="image" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/images/methode/2017/09/29/394f8408-a33b-11e7-84b5-dfc1701cb40c_image_hires_171312.JPG?itok=SPg0bnsA&amp;v=1506676402" width="2992"/>
    </item>
    <item>
      <description>Among Africa’s rich line-up of internationally recognised musicians and vocal artists, Angélique Kidjo and Youssou N’Dour top the list.
However, there is more to them than their award-winning repertoires. N’Dour is also waging a war against malaria, while Kidjo is fighting to keep African girls in school and also end child marriage.




Ahead of their stage performances in Hong Kong in the next two months, we take a closer look at the duo.
Kidjo, 57, who has released 12 albums and is the winner...</description>
      <guid isPermaLink="true">https://www.scmp.com/native/culture/topics/spotlight-africa/article/2110927/singing-different-tune-youssou-ndour-and?utm_source=rss_feed</guid>
      <link>https://www.scmp.com/native/culture/topics/spotlight-africa/article/2110927/singing-different-tune-youssou-ndour-and?utm_source=rss_feed</link>
      <pubDate>Mon, 18 Sep 2017 01:30:15 +0000</pubDate>
      <title>Singing to a different tune: Youssou N’Dour and Angélique Kidjo campaign for Africa</title>
      <enclosure length="2108" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/images/methode/2017/09/18/4a3411aa-9790-11e7-a089-5a7a21c623ca_image_hires_143157.jpg?itok=316mMH7U&amp;v=1505716326"/>
      <media:content height="2808" medium="image" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/images/methode/2017/09/18/4a3411aa-9790-11e7-a089-5a7a21c623ca_image_hires_143157.jpg?itok=316mMH7U&amp;v=1505716326" width="2108"/>
    </item>
    <item>
      <description>Hutu and Tutsi. Captor and captive. Who is “right” and who is “wrong”. These are some of the themes and contrasts explored in two productions coming to Hong Kong in November.
Split/Mixed is a tale of two worlds converged in Eddy, a Belgian-born of Rwandan descent with Hutu and Tutsi parents. The play is based on playwright and actor, Ery Nzaramba’s life and explores what it means to be, quite literally, split/mixed in terms of ethnicity; what it means to have been born in Europe but to have...</description>
      <guid isPermaLink="true">https://www.scmp.com/native/lifestyle/topics/spotlight-africa/article/2110093/shared-humanity-common-theme-african?utm_source=rss_feed</guid>
      <link>https://www.scmp.com/native/lifestyle/topics/spotlight-africa/article/2110093/shared-humanity-common-theme-african?utm_source=rss_feed</link>
      <pubDate>Fri, 08 Sep 2017 01:45:00 +0000</pubDate>
      <title>Shared humanity is common theme in African productions</title>
      <enclosure length="5616" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/images/methode/2017/09/11/b543fe58-936f-11e7-b116-f4507ff9df92_image_hires_162133.jpg?itok=dl0gN2E-&amp;v=1505118101"/>
      <media:content height="3744" medium="image" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/images/methode/2017/09/11/b543fe58-936f-11e7-b116-f4507ff9df92_image_hires_162133.jpg?itok=dl0gN2E-&amp;v=1505118101" width="5616"/>
    </item>
    <item>
      <description>When you see Senegalese and French dancer and choreographer Germaine Acogny performing on stage, it’s hard to believe that you are watching someone in her 70s. The energy, the power and the moves are as you would expect from a performer in her 20s. But each of Acogny’s performances represents a world view that comes from having lived through a storied life.
Her solo Tchouraï, created in 2001 and choreographed by Sophiatou Kossoko, has been enjoyed by audiences in Europe, the US and China. In it,...</description>
      <guid isPermaLink="true">https://www.scmp.com/native/lifestyle/topics/spotlight-africa/article/2110112/mother-modern-african-dance-germaine-acogny?utm_source=rss_feed</guid>
      <link>https://www.scmp.com/native/lifestyle/topics/spotlight-africa/article/2110112/mother-modern-african-dance-germaine-acogny?utm_source=rss_feed</link>
      <pubDate>Fri, 08 Sep 2017 01:45:00 +0000</pubDate>
      <title>‘Mother of modern African dance’, Germaine Acogny, to perform in Hong Kong</title>
      <enclosure length="1134" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/images/methode/2017/09/07/29106a5a-9371-11e7-b116-f4507ff9df92_image_hires_121945.jpg?itok=z5wRp4gR&amp;v=1504757989"/>
      <media:content height="756" medium="image" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/images/methode/2017/09/07/29106a5a-9371-11e7-b116-f4507ff9df92_image_hires_121945.jpg?itok=z5wRp4gR&amp;v=1504757989" width="1134"/>
    </item>
    <item>
      <description>In 1999, a delighted Nelson Mandela unexpectedly joined acclaimed South African musician Johnny Clegg and his band Savuka on stage during a performance of their moving anti-apartheid anthem Asimbonanga.
YouTube videos of the heart-warming moments when the former South African president dances to the music and asks Clegg to repeat the song have been viewed millions of times. A beaming Mandela can be seen telling concertgoers, “it is music and dancing that make me at peace with the world … and at...</description>
      <guid isPermaLink="true">https://www.scmp.com/native/lifestyle/topics/spotlight-africa/article/2110090/singing-one-voice-south-african-stories-joy?utm_source=rss_feed</guid>
      <link>https://www.scmp.com/native/lifestyle/topics/spotlight-africa/article/2110090/singing-one-voice-south-african-stories-joy?utm_source=rss_feed</link>
      <pubDate>Fri, 08 Sep 2017 01:30:30 +0000</pubDate>
      <title>Singing with one voice: South African stories of joy and sadness transcend boundaries</title>
      <enclosure length="2009" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/images/methode/2017/09/08/a5d89e3a-936d-11e7-b116-f4507ff9df92_image_hires_170146.jpg?itok=AWrs_k97&amp;v=1504861318"/>
      <media:content height="1150" medium="image" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/images/methode/2017/09/08/a5d89e3a-936d-11e7-b116-f4507ff9df92_image_hires_170146.jpg?itok=AWrs_k97&amp;v=1504861318" width="2009"/>
    </item>
  </channel>
</rss>