<?xml version="1.0"?>
<rss version="2.0" xml:base="link" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:fb="http://www.facebook.com/2008/fbml" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:media="http://www.rssboard.org/media-rss" xmlns:og="http://ogp.me/ns#" xmlns:rdfs="http://www.w3.org/2000/01/rdf-schema#" xmlns:schema="http://schema.org/" xmlns:sioc="http://rdfs.org/sioc/ns#" xmlns:sioct="http://rdfs.org/sioc/types#" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:xsd="http://www.w3.org/2001/XMLSchema">
  <channel>
    <title>Danielle Wu - South China Morning Post</title>
    <link>https://www.scmp.com/rss/510418/feed</link>
    <description/>
    <language>en</language>
    <image>
      <url>https://assets.i-scmp.com/static/img/icons/scmp-meta-1200x630.png</url>
      <title>Danielle Wu - South China Morning Post</title>
      <link>https://www.scmp.com</link>
    </image>
    <atom:link href="https://www.scmp.com/rss/510418/feed" rel="self" type="application/rss+xml"/>
    <item>
      <description>What permissions does the occasion of grieving unlock?
This unspoken question lingered in the air along with the faint fragrance of incense at the opening reception for “With Her Voice, Penetrate Earth’s Floor” at New York’s Eli Klein Gallery on April 13.
The group exhibition is a tribute to Christina Yuna Lee, a former employee of the gallery who was tragically murdered in her home in Manhattan’s Chinatown in early February.
Lee, who was Korean-American, left her position as an associate...</description>
      <guid isPermaLink="true">https://www.scmp.com/lifestyle/arts-culture/article/3174667/why-being-asian-american-woman-us-still-danger-art?utm_source=rss_feed</guid>
      <link>https://www.scmp.com/lifestyle/arts-culture/article/3174667/why-being-asian-american-woman-us-still-danger-art?utm_source=rss_feed</link>
      <pubDate>Mon, 18 Apr 2022 11:15:19 +0000</pubDate>
      <title>Why is being an Asian-American woman in the US still a danger? Art exhibition in tribute to Christina Yuna Lee seeks answers</title>
      <enclosure length="4095" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/d8/images/canvas/2022/04/18/dd8a8149-a5b2-430a-8f53-ca743d0173e0_3e046ce4.jpg?itok=UB8DvX6e&amp;v=1650276751"/>
      <media:content height="2730" medium="image" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/d8/images/canvas/2022/04/18/dd8a8149-a5b2-430a-8f53-ca743d0173e0_3e046ce4.jpg?itok=UB8DvX6e&amp;v=1650276751" width="4095"/>
    </item>
    <item>
      <description>The Museum of Modern Art (MoMA) is introducing a new generation to the works of Shigeko Kubota, who died in New York in 2015.
The sensitive curation of “Shigeko Kubota: Liquid Reality” means that the first solo exhibition of the artist’s work at a US institution in 25 years does not dwell on her many identities (such as the fact that she was born in Japan and was married to Nam June Paik, the Korean-American artist often referred to as the father of video art), but lets key works speak for...</description>
      <guid isPermaLink="true">https://www.scmp.com/lifestyle/arts-culture/article/3146903/moma-exhibition-pays-tribute-shigeko-kubota-through-seven?utm_source=rss_feed</guid>
      <link>https://www.scmp.com/lifestyle/arts-culture/article/3146903/moma-exhibition-pays-tribute-shigeko-kubota-through-seven?utm_source=rss_feed</link>
      <pubDate>Tue, 31 Aug 2021 12:15:12 +0000</pubDate>
      <title>MoMA exhibition pays tribute to Shigeko Kubota through seven of her genre-defying works</title>
      <enclosure length="2000" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/d8/images/canvas/2021/08/30/7e11c014-8e30-4bd1-87de-13e1fc7511f5_e9044113.jpg?itok=NOfkhu4E&amp;v=1630316863"/>
      <media:content height="1451" medium="image" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/d8/images/canvas/2021/08/30/7e11c014-8e30-4bd1-87de-13e1fc7511f5_e9044113.jpg?itok=NOfkhu4E&amp;v=1630316863" width="2000"/>
    </item>
    <item>
      <description>Wong Ping, a self-described comedian, plunged into art several years ago with the libido of a petulant schoolboy under no adult supervision.
In his animated world, genitals are playthings indistinguishable from stuffed toys, while naive jokes about scatological and reproductive processes abound.
Wearing his political incorrectness like a badge of honour, the 37-year-old artist has nonetheless attracted growing international interest, and the New Museum in New York has just opened a first...</description>
      <guid isPermaLink="true">https://www.scmp.com/lifestyle/arts-culture/article/3142565/wong-pings-video-art-cynical-crude-and-cartoonish-rebellion?utm_source=rss_feed</guid>
      <link>https://www.scmp.com/lifestyle/arts-culture/article/3142565/wong-pings-video-art-cynical-crude-and-cartoonish-rebellion?utm_source=rss_feed</link>
      <pubDate>Mon, 26 Jul 2021 09:39:00 +0000</pubDate>
      <title>Wong Ping’s video art, cynical, crude and cartoonish, is a rebellion against adult responsibility</title>
      <enclosure length="3334" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/d8/images/canvas/2021/07/26/64e22c01-f9da-4810-898f-f259181895f4_a4ac49c1.jpg?itok=d0gwUis9&amp;v=1627292338"/>
      <media:content height="1870" medium="image" type="image/jpeg" url="https://cdn.i-scmp.com/sites/default/files/styles/1280x720/public/d8/images/canvas/2021/07/26/64e22c01-f9da-4810-898f-f259181895f4_a4ac49c1.jpg?itok=d0gwUis9&amp;v=1627292338" width="3334"/>
    </item>
  </channel>
</rss>