Squid Game unlikely to see official release from Tencent, iQiyi or Youku given rampant piracy and strict censorship
- Squid Game has become popular in China through pirated copies, but experts and viewers agree its violence and themes make an official release unlikely
- Rising piracy and the popularity of short video apps like TikTok make it less palatable for tech companies to shell out large sums for shows produced overseas
When 25-year-old Shanghai resident Sherry Zhang was recommended a South Korean drama called Squid Game, she knew exactly where to turn, and it was not the show’s official distributor, Netflix.
“I don’t think the show will be aired in China officially,” said Zhang, who noted that the show’s values do not reflect those of mainstream culture promoted by the government. “It’s kind of in a grey area. If the country really wanted to ban it, we wouldn’t be able to find information related to it online.”
Squid Game experience comes to life in Abu Dhabi
Zhang is among tens of thousands of Chinese netizens who have found readily available information on where to watch Squid Game in China illegally, which includes illicit video streaming sites, peer-to-peer downloads and cloud storage providers.
This has helped make the show a hot topic on Chinese social media for weeks. Despite Squid Game’s success as the largest launch ever on Netflix, viewed by more than 111 million users to date, no Chinese streamers or broadcasters have dared pick up the domestic distribution rights.
For a foreign television show to be aired in China, such as the hit HBO fantasy epic Game of Thrones, it has to first find a Chinese broadcaster willing to pay for it, and then go through an opaque censorship process. The dystopian nature of Squid Game, peppered with violence and sex scenes, makes it one of the most likely to be vetoed by Chinese censors.
Rampant piracy has undermined this business model, making it less appealing to pay large sums up front for shows already released overseas. The rising popularity of short video platforms like Douyin, the Chinese version of TikTok, has also taken time away from other media.
Lu Peng, a researcher from the Shanghai Academy of Social Sciences, agreed that Squid Game is unlikely to get an official release in China.
“Apparently the violence is beyond our standard,” he said. “For companies like Tencent and iQiyi, their self-produced shows may have more influence with lower costs. For this kind of show, which has already been spread [online], China’s video platforms may not be willing to busy themselves with helping others [view it].”
In 2015, China’s National Radio and Television Administration demanded that all foreign series be registered and with a license number before being broadcast, making it difficult to prepare simultaneous releases for episodes in China.
Getting approval for shows that are especially graphic is also difficult because China does not have a rating system for TV shows.
“A clean version of Squid Game? It would not be the same drama,” she said. “I am not sure if this drama will ever pass Chinese censorship, as there are too many killings and there is a lot of extreme [content], which is essential for the storyline.”
The show is different from Game of Thrones, according to Lee, because its content makes it ripe for political satire. “The drama is very meme-able,” she said. “People can easily … use key motifs of the drama to mock the powerful.”
A human resources professional surnamed Wang, who lives in the southern city of Zhuhai, neighbouring Macau, first came across some clips of the show spread on Douyin. He subsequently downloaded the entire season and stayed up until 6am binge-watching all eight episodes.
“The theme is not particularly new, but the Korean production has made it more sophisticated and well-knit,” he said. “They put a lot of effort into the set-up, as well, which makes it so absurd, yet real.”
“The standard in China is that adults are only allowed to watch what kids can watch,” Wang added. “But a censored version of the show [without the violent scenes] would be unwatchable.”
China’s video-streaming platforms have been struggling to keep viewership high in the pursuit of profitability. In the second quarter, iQiyi reported a net loss of 1.4 billion yuan (US$217.3 million).
Last year, Tencent revealed for the first time that operating losses for Tencent Video had fallen below 3 billion yuan in 2019, “substantially lower than the loss rates of industry peers”. Tencent did not disclose the latest financial details of its video unit, but said that it had 124.5 million subscribers in the second quarter this year.
Netflix Squid Game honeycomb toffee-maker sees business boom after South Korean series tops charts
The three biggest platforms are no strangers to bringing popular foreign shows to Chinese audiences. In addition to Game of Thrones, Tencent released the crime drama Mare of Easttown, which stars Kate Winslet, as part of a content partnership with HBO initiated in 2014.
Netflix also briefly had a deal with iQiyi to stream its original content such as Stranger Things and BoJack Horseman in China, but the Chinese platform’s CEO said in 2019 that the partnership had ended.
Chinese platforms are also busy producing their own shows. The debate show Qipa Shuo, formerly known as I Can I BIBI in English, became popular on iQiyi, as did the reality competition show The Rap of China.
Going the other way, Netflix started securing the rights to Chinese period dramas in 2015. It now has the global distribution rights to shows like The Rise of Phoenixes, originally released on iQiyi in 2018, and the Tencent production Nothing but Thirty.