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Film reviews
Hollywood blockbusters, local greats, European movies, Japanese and Korean dramas, animation, art house films, you can find them all here.
Aaron Kwok in a still from Under Current (category IIB, Cantonese), directed by Alan Mak. Francis Ng and Alex Fong co-star.
Asian cinema: Hong Kong film

Review | Under Current: Aaron Kwok, Francis Ng seek justice in fun but silly thriller

This Hong Kong tale of greed and corruption is a watchable portrait of greed and corruption, but it is also thoroughly detached from reality.

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Asian cinema: Hong Kong film

Review | Road to Vendetta: Jeffrey Ngai plays an assassin in his first lead role

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American cinema

Review | Zootopia 2: Disney’s formulaic sequel delights with visual wit

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Asian cinema: Hong Kong film

Review | Someone Like Me: Fish Liew shines as a disabled woman seeking sex

This daring Hong Kong-set drama follows a woman with cerebral palsy who wishes to experience sex before having a hysterectomy.

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Carlos Chan (left) and Fish Liew in a still from Someone Like Me
Asian cinema: Hong Kong film

Review | Golden Boy: Louis Cheung anchors hot-blooded yet generic boxing drama

Cheung’s eye-catching central performance is the highlight of Joe Chan’s mildly entertaining drama co-starring Leander Lau and Eric Tsang.

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American cinema

Review | Wicked: For Good – Ariana Grande and Cynthia Erivo dazzle in Part 2

Jon M. Chu’s follow-up to his 2024 smash shines like a rainbow with splendid visuals and acting. Could Grande and Erivo bag Oscars this time?

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Asian cinema: Hong Kong film

Review | Against All Odds: Hong Kong-set WWII thriller punches above its weight

A downed US pilot’s rescue entwines with a plot to assassinate a Japanese official in a gripping, intimate WWII thriller set in Hong Kong.

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Louise Wong in a still from Against All Odds.
Asian cinema: Japanese films

Review | Kokuho: kabuki epic with Ryo Yoshizawa is the best Japanese film of the year

Kokuho is a lavish, bewitching story of two Japanese kabuki theatre actors, raised in the same family and competing to become the best.

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American cinema

Review | Now You See Me: Now You Don’t – too many magicians, not enough magic

This third film about magicians pulling off a diamond heist has little to offer and fails to pull any excitement out of the hat.

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Asian cinema: Chinese films

Review | 96 Minutes: train bomb thriller forgoes excitement for life lessons

This overcomplicated tale of a bomb on a train overflows with guilt, life lessons and earnest emotions without much of a conclusion.

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Austin Lin (front) and Lee Lee-zen in a still from Taiwanese thriller 96 Minutes (category IIB, Mandarin), directed by Hung Tzu-hsuan. Vivian Sung and Jacob Wang co-star.
Asian cinema: Hong Kong film

Review | Another World: macabre human fable is a new milestone for Hong Kong animation

A haunting, philosophical triumph, Another World is a morally complex film and one of the best out of Hong Kong this year.

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Yuri (left, voiced by Christy Choi Hiu-tung) and Gudo (Chung Suet-ying) in a still from Another World (category IIA, Cantonese). Directed by Tommy Ng.
Asian cinema: Japanese films

Review | Black Showman: Masaharu Fukuyama leads boring murder mystery adaptation

Fukuyama fails to conjure excitement as a magician-turned-sleuth alongside Kasumi Arimura in this screen version of Keigo Higashino’s novel.

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American cinema

Review | Black Phone 2: Ethan Hawke reprises child kidnapper role in horror sequel

Ethan Hawke is back from the dead as child killer The Grabber, this time in a snowbound camp, in this gory supernatural horror film.

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American cinema

Review | Tron: Ares – third time’s almost a charm for sci-fi film series

Starring Jared Leto and Greta Lee, Joachim Ronning’s Tron Ares is at times thrilling but features an overly familiar plot focusing on AI.

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Jared Leto in a still from Tron: Ares (category IIA), directed by Joachim Ronning. Greta Lee co-stars. Photo: Leah Gallo/Disney Enterprises
Asian cinema: Hong Kong film

Review | Measure in Love: Angela Yuen and Greg Hsu in baffling fantasy romance

Benny Kung’s dystopian fairy tale in which humanity is separated across two sides of the ocean looks good but leaves basic logic far behind.

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Greg Hsu (left) and Angela Yuen in a still from Measure in Love (category IIA, Cantonese and Mandarin versions available), directed by Benny Kung.
Asian cinema: Hong Kong film

Review | Sons of the Neon Night: star-studded crime epic proves an indelible watch

Takeshi Kaneshiro and Tony Leung Ka-fai are joined by a host of stars in Juno Mak’s crime thriller set in an alternate 1994 Hong Kong.

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Asian cinema: Japanese films

Review | Dollhouse: haunted doll J-horror with Masami Nagasawa is great fun

Japanese director Shinobu Yaguchi mixes horror and riotous comedy in this film about a family tormented by a possessed doll.

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Asian cinema: Korean films

Review | The People Upstairs: cheeky sex comedy directed by and starring Ha Jung-woo

Ha shows skill on both sides of the camera in his movie with Gong Hyo-jin and Kim Dong-wook as a prim couple seduced by swinging neighbours.

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Lee Hanee (left) and Ha Jung-woo as noisy neighbours in a still from The People Upstairs (category TBC), a Korean film directed by Ha Jung-woo, and co-starring Gong Hyo-jin and Kim Dong-wook.
Asian cinema: Korean films

Review | The Great Flood: Kim Da-mi can’t save bewildering Netflix sci-fi fantasy

Kim Da-mi stars in what begins as a disaster movie then spins off into science fiction, a move that will surely leave viewers floundering.

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Asian cinema: Korean films

Review | Good News: hilarious Korean farce based on a real-life 1970s hijacking

Byun Sung-hyun’s riotously entertaining black comedy coming to Netflix features a whip-smart script and deftly judged humour.

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American cinema

Review | One Battle After Another: Paul Thomas Anderson captures a frightening America

Leonardo DiCaprio, Sean Penn and Benicio del Toro star in this story about a group of ageing revolutionaries in a dystopian America.

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Leonardo DiCaprio in a still from One Battle After Another.
Asian cinema: Hong Kong film

Review | Good Game: lightweight Hong Kong esports comedy with Will Or

Will Or stars with Andrew Lam and Yanny Chan as a member of a gaming team in this underdog story that leans on sentimentality over substance.

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Will Or Wai-lam in a still from Good Game.
Asian cinema: Korean films

Review | The Ugly: Yeon Sang-ho’s dark mystery is both intriguing and frustrating

Park Jeong-min, Kwon Hae-hyo and Han Ji-hyeon star in Train to Busan director Yeon’s first cinematic release in five years.

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Asian cinema: Hong Kong film

Review | The Remnant: Philip Keung takes on evil Hong Kong property developers

Philip Keung stars as a former gang boss running a laundromat who helps his neighbours facing eviction in this gloomy, engaging urban tale.

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Asian cinema: Hong Kong film

Review | Operation Hadal: Dante Lam’s naval sequel is an incoherent misfire

Poor visuals and writing sink this maritime melee with Huang Xuan and Yu Shi that leaves Hong Kong director Lam seeming out of his depth.

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Huang Xuan in a still from Operation Hadal (category IIB, Mandarin, English), directed by Dante Lam, and co-starring Yu Shi and Zhang Hanyu.
Asian cinema: Japanese films

Review | Kowloon Generic Romance: Walled City-set Japanese fantasy makes zero sense

Riho Yoshioka, Koshi Mizukami and a Mandarin-speaking version of Hong Kong’s Kowloon Walled City star in this very odd production.

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Koshi Mizukami (left) and Riho Yoshioka in a still from Kowloon Generic Romance (category: IIA, Japanese, Mandarin), directed by Chihiro Ikeda.
European cinema

Review | Silent Friend: Tony Leung Chiu-wai appears in his first European film

The Hong Kong star of In the Mood for Love and Lust, Caution plays a scientist in one section of Ildiko Enyedi’s three-part botanical film.

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Asian cinema: Chinese films

Review | The Sun Rises on Us All: Cai Shangjun returns with sombre drama

Xin Zhilei and Zhang Songwen star in director Cai Shangjun’s film whose themes of sacrifice and guilt have a powerful impact.

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