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Hong Kong cinema

Hong Kong cinema
The latest news, analysis and opinion on Hong Kong cinema. In-depth analysis, industry insights and expert opinion.
Angela Mao (right) and Carter Wong in a still from The Tournament (1974). Mao learned martial arts at a Peking opera school in Taiwan. Photo: Fortune Star Media
Asian cinema: Hong Kong film

Why Angela Mao, aka ‘the new Bruce Lee’, was a better fighter than Michelle Yeoh

Angela Mao, star of hits like Hapkido and Lady Whirlwind, was billed as the ‘new Bruce Lee’ by Golden Harvest after his death.

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Hong Kong culture

Editorial | Hong Kong’s efforts to commemorate Bruce Lee should pack bigger punch

Asian cinema: Hong Kong film

Review | Cold War 1994: Hong Kong crime thriller prequel is a star-studded blast

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Asian cinema: Hong Kong film

Editorial | Hong Kong cinema can still succeed

The industry needs more than subsidies and discounts to sustain development. It must reinvent itself with more gems and new operating models.

Film-goers pack into a theatre at iSquare in Tsim Sha Tsui on the government-subsidised Cinema Day on April 25. Photo: Edmond So
Asian cinema: Hong Kong film

How Hong Kong crime films have adapted in the national security law era

From Donnie Yen’s The Prosecutor to Cold War 1994, recent Hong Kong police thrillers are navigating tightened censorship in ingenious ways.

Asian cinema: Hong Kong film

The bloody legacy of The One-Armed Swordsman film sequels

The two follow-ups to The One-Armed Swordsman are somewhat different to the original hit film but plenty of blood runs through all three.

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Hong Kong celebrities and icons

Profile | The wild journey behind Tony Leung Ka-fai’s Hong Kong Film Awards record

Tony Leung Ka-fai’s fifth HKFA best actor win cements his legendary cinema status amid years of resilience, reinvention and cultural impact.

Tony Leung Ka-fai poses on the red carpet during the 35th Hong Kong Film Awards in 2016. His fifth best actor win at the HKFA cements his legendary Hong Kong cinema status. Photo: SCMP
Asian cinema: Hong Kong film

How a Hong Kong indie film uses tea to bridge the city’s ethnic minority divide

Brian Hung’s Let’s Have a Cup of Doodh Patti Chai looks at Hong Kong’s ethnic minorities and how tea brings together people of many cultures.

Asian cinema: Hong Kong film

Why these 1980s Hong Kong crime movies produced by Tsui Hark are hidden gems

The Big Heat and Gunmen, both released in 1988, are brutal action thrillers full of violence, brotherhood drama and intrigue.

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Asian cinema: Hong Kong film

Who will win at the Hong Kong Film Awards 2026? Our predictions

SCMP film editor Edmund Lee forecasts the best film, director, screenplay, actors and supporting actors at this weekend’s 44th HKFA.

Louis Koo in a still from Back to the Past.
Asian cinema: Chinese films

What A Foggy Tale taught Will Or and 9m88 about Taiwan’s White Terror era

Will Or and Joanne Tang (9m88) reveal how their characters in A Foggy Tale inspired and moved them in different ways.

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Will Or (front) and Caitlin Fang in a still from A Foggy Tale. The historical drama co-starring 9m88, which is set during the early years of Taiwan’s White Terror period, won the best narrative film and best original screenplay gongs at the 2025 Golden Horse Awards.
Asian cinema: Hong Kong film

Why these 3 Hong Kong comedies from the 1970s and 80s became local favourites

Itchy Fingers, Pom Pom and Where’s Officer Tuba? were mainstream films that shone amid the proliferation of kung fu and action comedies.

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Hong Kong celebrities and icons

Profile | ‘Not pretty enough’? Joey Yung became a top Cantopop star anyway

From rejected teen singer to Cantopop legend, Joey Yung’s grit, voice and unwavering work ethic have outlasted her critics.

Asian cinema: Hong Kong film

What happened when Ann Hui adapted Eileen Chang’s classic stories?

Director Ann Hui has adapted three of Eileen Chang’s stories for the big screen. We look at two: Love in a Fallen City and Eighteen Springs.

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Chow Yun-fat (left) and Cora Miao in a still from Love in a Fallen City (1984), directed by Ann Hui.
Asian cinema: Hong Kong film

Review | We’re Nothing at All: Herman Yau’s grim social critique lacks all subtlety

A gripping drama, We’re Nothing at All explores societal apathy through a tragic bus blast – but its heavy-handed approach may deter viewers.

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Anson Kong in a still from We’re Nothing at All (category III, Cantonese), directed by Herman Yau. Patrick Tam and Anson Chan co-star.
Asian cinema: Hong Kong film

3 Anthony Wong films from the early 90s that show his wide acting range

Before becoming stereotyped for extreme roles, Wong gave nuanced turns as a whiny gangster opposite Chow Yun-fat and as Veronica Yip’s tormentor.

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Hong Kong celebrities and icons

Profile | How Leslie Cheung broke all the rules to become a Hong Kong superstar

The music and cinema legend’s artistry, vulnerability and defiance in a conservative Asian society forever reshaped Hong Kong pop culture.

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Asian cinema: Hong Kong film

How director Benny Chan bridged old-school stunts and modern action

2003’s Heroic Duo and 2007’s Invisible Target were full of the director’s flair for action, reckless stunts and literal explosive scenes.

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Nicholas Tse in a still from Invisible Target (2007), directed by Benny Chan, whose 2000s films were a blend of classic stunts and modern action.
Tony Leung Ka-fai

‘A fantastic roller coaster’: Hugh Bonneville, Aidan Gillen on Cold War 1994

Actors Hugh Bonneville and Aidan Gillen discuss starring in Cold War 1994, as well as what they got up to in Hong Kong while filming.

American cinema

How the eye-catchingly sexist DOA: Dead or Alive survived chaotic China shoot

Filmed at Hengdian World Studios, DOA: Dead or Alive helped pioneer East-West cinema collaboration – even if it bombed at the box office.

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Asian cinema: Hong Kong film

Review | Ciao UFO: Charlene Choi leads nostalgic trip through Hong Kong history

Chui Tien-you and Wong You-nam join Charlene Choi in Patrick Leung’s poignant character drama that finally arrives at cinemas after debuting in 2019.

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Charlene Choi in a still from Ciao UFO (Category: IIA, Cantonese), directed by Patrick Leung and co-starring Chui Tien-you and Wong You-nam.
Asian cinema

Best movies to watch at the Hong Kong International Film Festival 2026

Silent Friend, Sirat, Good Boy and Pillion are among our top picks at this year’s festival, which is celebrating its 50th edition.

Tony Leung Chiu-wai in a still from Silent Friend.
Asian cinema: Hong Kong film

How Herman Yau transitioned from gory cult films to action blockbusters

Once known for Category III shockers such as Ebola Syndrome, Herman Yau has become the go-to director for action blockbusters.

Hong Kong celebrities and icons

Profile | From TVB queen to YouTube star, how Carol ‘Dodo’ Cheng does it all

Hong Kong icon Carol ‘Dodo’ Cheng has worn many hats – actor, television host, content creator – continually reinventing herself across five decades.

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Asian cinema: Hong Kong film

Review | Gamer Girls: Angela Yuen leads beguiling Hong Kong esports drama

This engaging tale of an all-female esports team delivers an underdog story with a light touch and punches well above its modest budget.

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Angela Yuen as online gamer Summer in a still from Gamer Girls (category IIB, Cantonese), directed by Veronica Bassetto and Sophie Yang.
Asian cinema: Hong Kong film

This Hong Kong martial arts movie pioneered the superhero team in Chinese cinema

The Five Venoms launched the iconic run of the Venom Mob, a group of actors brought together by Chang Cheh that appeared in various films.

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Lo Mang (left) in a still from Five Deadly Venoms, Chang Cheh’s 1978 film.
Asian cinema: Hong Kong film

Review | Girlfriends: Fish Liew and Jennifer Yu reunite for tender lesbian romance

Tracy Choi’s semi-autobiographical, episodic drama gives an intimate portrait of a woman searching for her place at different stages of life.

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Asian cinema: Hong Kong film

Review | Ultimate Revenge: Hong Kong crime thriller is all brawn and no brains

Loud, action-packed and completely chaotic, Terry Ng’s Ultimate Revenge is packed with thrills but fails to deliver on plot.

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