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Richard James Havis

What happened when Ann Hui adapted Eileen Chang’s classic stories?

Director Ann Hui has adapted three of Eileen Chang’s stories for the big screen. We look at two: Love in a Fallen City and Eighteen Springs.

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Before becoming stereotyped for extreme roles, Wong gave nuanced turns as a whiny gangster opposite Chow Yun-fat and as Veronica Yip’s tormentor.

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2003’s Heroic Duo and 2007’s Invisible Target were full of the director’s flair for action, reckless stunts and literal explosive scenes.

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‘Father and Son’ and ‘Ah Ying’, which both won best film at the Hong Kong Film Awards, are compelling neo-realist explorations of Hong Kong.

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Flying, ‘weightless’ leaps, unrealistic injuries and long fight scenes are all part and parcel of Hong Kong martial arts movies. Here’s why.

Tsui Hark-produced alien flick Wicked City and Gordon Chan’s 2000 AD were ambitious projects that tried things new to the Hong Kong industry.

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Starring Leung Kar-yan and with a young Chow Yun-fat on the cast, 1982’s The Postman Fights Back is an intriguing mix of Western and wuxia.

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Gong switched gears after making it in Chinese art-house films, starring with Stephen Chow, Brigitte Lin and others in lesser-known movies.

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Chor Yuen’s Duel for Gold, Clans of Intrigue and Jade Tiger may be less famous than some of his other films, but are just as groundbreaking.

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Sci-fi story Saviour of the Soul, fantasy tale Anna Magdalena and the provocative Isabella went outside the norm for Hong Kong romances.

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This brutal horror story about a field trip to a remote island inhabited by three crazed brothers was a rare outlier for Hong Kong cinema.

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Related Topics
WellnessAsian cinema: Hong Kong film