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Actress Margarita, after Niko Pirosmani, 2018 (left), and Queen Tamar, after Niko Pirosmani, 2018, two works by Yoshitomo Nara from Yeewan Koon’s book about the Japanese artist. Photo: courtesy Yoshitomo Nara/Phaidon

Japanese artist Yoshitomo Nara ‘a control freak’ but he ‘gave me complete freedom’, says author of book on his career

  • When Yeewan Koon first met Yoshitomo Nara, they compared who had eaten the strangest food. Nara won, showing Koon some weird pictures of sea cucumbers
  • Koon says Nara can be quite goofy, but he has a serious side you get to know through his art, with its ‘strong sense of empathy and vulnerability’
Art

Yeewan Koon is associate professor and chair of the Fine Arts Department at the University of Hong Kong. Her latest book, Yoshitomo Nara, is published by Phaidon this month.

Can you say a little about how you got to know Nara and came to work on this project?

The first time I met him was over dinner in 2015. He was in Hong Kong for a show at the Asia Society (a centre for Asian art, history and culture) and I’d been asked by the curator to write an article about his photography, which was little known. We decided to compare who had eaten the strangest food. He won – he showed me some weird pictures of sea cucumbers.

After that, when I was in Japan or New York, he would invite me to view art with him. We went to the Whitney Museum (in Manhattan, New York) and he recognised all art works. As an art historian, his knowledge of art really impressed me. He can be quite goofy, but also has a serious side. I got to know that serious side through his art.

His studio asked me if I’d write a book on him. I was surprised no one had written a substantial book that addressed his artistic development over the years. I didn’t say yes until I felt I’d got to know him well enough that I knew he trusted me.

Nara is known for being a private person. Can you describe your working relationship?

He basically left me alone and gave me complete freedom to do what I wanted. Coming from Nara that was rare because, like me, he’s a control freak. When we met, he would challenge me to ask him harder questions. He’s a very loyal person and the people around him are loyal to him. He has an incredible memory and remembers every act of kindness.

How did Nara’s childhood and upbringing impact his work?

He’s the youngest son and is very close to his mother. His grandfather was a Shinto priest and so was his father, but his dad became a businessman and wasn’t around much. His mum worked to support the family. He saw how hard his mum worked and is very protective of her.
Japanese artist Yoshitomo Nara is a big music person, says Yeewan Koon. Photo: AFP
Yoshitomo Nara is published by Phaidon this month. Photo: courtesy Yoshitomo Nara/Phaidon

 

When he went to Germany to study, his mother told him he’d had a sister before he was born, but that she’d died in childbirth. His mum gave him a girl’s name, Nara.

 I think this goes some way towards explaining the strong sense of empathy and vulnerability that runs through his work.

If you really want to know Nara, you just have to look at his art – it’s all there because that’s how he communicates.

The Girl with the Knife in Her Hand (1991) by Yoshitomo Nara. Photo: courtesy Yoshitomo Nara/Phaidon
Joey (2008) by Yoshitomo Nara. Photo: courtesy Yoshitomo Nara/Phaidon

Nara is best-known for his complicated kawaii girls. What is kawaii and how does Nara use it?

In Japanese culture, kawaii means both cute and menacing. His paintings of children embrace that full meaning of kawaii – both positive and negative. He is able to find that emotional connection with the viewer who may identity with the image of the girl as a good girl being bad. You feel a sense of protectiveness to the child.

Q: What was the strangest thing you did in researching this book?

Nara is a big music person. It’s the world that he’s close to and he hangs out with a lot of musicians. He identifies with musicians and relates to how they have crafted their careers more so than those in the art world.

He’s a huge fan of the poppy punk band Shonen Knife. He will lock himself in his studio, play his music loudly and paint. I listened to a lot of Japanese punk when I was working on the book to better understand his creative process.

Yeewan Koon. Photo: K.Y. Cheng
Yoshitomo Nara by Yeewan Koon is available at www.phaidon.com/yoshitomonara or at Kelly & Walsh bookstores (Pacific Place in Admiralty, and Landmark in Central – both on Hong Kong Island).
This article appeared in the South China Morning Post print edition as: Control freak Yoshitomo Nara gave me complete freedom, author says
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