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How prehistoric and ancient cultures used art revealed in Hong Kong exhibition

Items about ancient and prehistoric civilisations on show at Juen Juen Gung include ceremonial demon masks and precious carvings

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“The Cave of Forgotten Dreams” exhibition at Juen Juen Gung in San Po Kong, Hong Kong, showcases a range of items about prehistoric cultures and ancient civilisations. Photo: Jonathan Wong
Kylie Knott

Felix Lok Ching-nam looks right at home inside the “cave” in Hong Kong he is using to present a selection of items about prehistoric cultures and ancient civilisations.

Lok is the founder of Pulima, an online platform that trades in curiosities such as indigenous and folk art, books, and prints on ancient cultures that he has collected over the years.

In a perfect pairing, Pulima – which means “person with fine craftsmanship” in Paiwan, the language of Taiwan’s Paiwan indigenous group – is collaborating with an arts space and studio that resembles a cave, located in an industrial building in Kowloon’s San Po Kong neighbourhood.

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Juen Juen Gung is designed that way because its founder, artist Vaevae Chan, set it up in 2019 as an escape after she struggled with grief and depression. She spent three years shaping the meditative space using polystyrene, fibreglass resin, ash and sand.
Juen Juen Gung was designed to resemble a cave by its founder, Vaevae Chan. Photo: Juen Juen Gung Cave
Juen Juen Gung was designed to resemble a cave by its founder, Vaevae Chan. Photo: Juen Juen Gung Cave

The result is an eerie space. The name Juen Juen Gung is derived from the Cantonese slang for “having a nose around”, and that is just what visitors are encouraged to do when they enter the “cave” which, in itself, is an experience.

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