Snap! Magnum street photographer Richard Kalvar returns to Hong Kong
Kalvar talks about the art of street photography and why he's never taken good street photos in Hong Kong

How did you become a professional photographer?
I come from Brooklyn. Not only did I not have any training in photography, I had no interest in it. It was just luck and coincidence that I worked as an assistant to French fashion photographer Jerome Ducrot.
He’s a very good friend of Andre Kertesz, a very well-known Hungarian photographer who does street photography. Though Jerome didn’t give me lessons [as a mentor], I learnt lots of things by just watching him work. He showed me some works that have nothing to do with fashion like those by Robert Frank. I made a little bit of money working for Jerome and decided to travel to Europe and spend it. I took the Pentax camera Jerome gave me on the trip. I walked around, saw something and took pictures once in a while. The more I took pictures, the more interested I became. At the end of the trip after 10 months, I knew that’s what I wanted to do.
You are known as a master of street photography – taking pictures of passers-by or any spontaneous happenings on the street. What drew you to street photography?
I like taking unposed pictures of people. I am interested in just looking at the world, the lights and try to put them in a rectangle. I also do portraits [for work]. I have to set up the pictures. But this interests me less than just finding something that maybe other people don’t see.
