Advertisement
TV shows and streaming video
LifestyleEntertainment

How was Black Mirror’s Hotel Reverie made? Director Haolu Wang on AI, love of old films

Haolu Wang, a lifelong cinephile, explains why she hopes ‘people will realise AI is terrible for creativity’ after watching Hotel Reverie

Reading Time:5 minutes
Why you can trust SCMP
Haolu Wang directs Issa Rae on the Hotel Reverie set. Wang, a lifelong cinephile, explains why she hopes “people will realise AI is terrible for creativity” after watching the Black Mirror episode. Photo: Netflix
Ashlyn Chak

In “Hotel Reverie, an episode from the recent, seventh season of Netflix series Black Mirror, filmmaker Haolu Wang focuses on the hot topic of artificial intelligence (AI).

The episode sees AI technology being used to speed up, simplify and, most importantly, reduce the costs of remaking a classic film as something of a money grab.

This 78-minute instalment of the science-fiction anthology series dropped just months after Hollywood writers, directors and actors went on strike to protest at the expansion in the use of AI – and the lack of agreements on it – in the entertainment industry.
Advertisement

The irony of the timing is not lost on the Chinese-born director, who hopes that “people will realise AI is terrible for creativity”.

Haolu Wang on the set of Hotel Reverie, which she says was crafted by hand to resemble the way they made films in the 1940s. Photo: Netflix
Haolu Wang on the set of Hotel Reverie, which she says was crafted by hand to resemble the way they made films in the 1940s. Photo: Netflix

In a video call from her London home, Wang tells the Post: “Although ‘Hotel Reverie’ seems to present a way that AI can be used more positively … humanity, creativity and love are ultimately what matter. AI cannot create love.”

Advertisement
In the episode, Issa Rae plays Brandy Friday, a modern-day actress invited by director Kimmy (Awkwafina) and cash-strapped studio head Judith Keyworth (Harriet Walter) to appear in a remake of Hotel Reverie, a black-and-white movie from the 1940s, opposite Dorothy Chambers (Emma Corrin).
Advertisement
Select Voice
Choose your listening speed
Get through articles 2x faster
1.25x
250 WPM
Slow
Average
Fast
1.25x