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On his first trip to China, Enrico Crippa says being a chef isn’t easy

In Hong Kong for a guest stint at Umberto Bombana’s 8 ½ Otto e Mezzo, the chef of the Michelin-starred Piazza Duomo in Alba, Italy, reveals how his grandfather inspired him and what Chinese and Japanese cuisines have in common with Italian cooking

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Enrico Crippa at 8 ½ Otto e Mezzo, in Central. Picture: May Tse
Bernice Chanin Vancouver

First impressions? “It’s my first trip to China. We spent three days in Macau and now a few days in Hong Kong. It’s a fast city. Umberto [Bombana] took us to see the wet markets and try the street food. Chinese food is not unfamiliar to me – when I lived in Japan from 1997 to 2000, I tried some Chinese cuisine. I remember trying the century-old egg.”

Please describe your cuisine. “For this promotion in Hong Kong, I bring together different signature dishes from my restaurant. One of them is called salad 21, 31, 41, 51... and includes ingredients from my farm arranged in such a way that it is an exposition of my food philosophy.

Enrico Crippa's salad 21, 31, 41, 51...
Enrico Crippa's salad 21, 31, 41, 51...
“I have a dish called potatoes cream that has been around for 11 years. Hidden inside the potato cream is a quail egg marinated in lapsang souchong tea and topped with white truffle. Having tried century-old egg I thought about how to serve something similar in colour. This dish represents a connection with Asia. The flavours of the tea create atmosphere. It evokes the feeling of going into an old farm house in Piedmont with a fire in the fireplace and you can smell the smoke in the air.”
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Potatoes cream – a quail egg marinated in lapsang souchong tea and topped with white truffle.
Potatoes cream – a quail egg marinated in lapsang souchong tea and topped with white truffle.
How did you become interested in cooking? “My parents worked for a family [...] so I was raised by my paternal grandfather. He would take me to the market to buy food and then at home I watched him prepare it. He was a really good cook, preparing traditional dishes. He was my idol – he fought in two wars and was a big, strong man. But in the kitchen he was delicate, like a dancer.”
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Did you know then that you wanted to be a chef? “It was a step-by-step process. As I learned more about cooking and the careers of chefs, I started to understand that you can travel and experiment. I began to feel that being in the kitchen would be my future. But I believe you can only be a good chef after the age of 40, if you start learning at 14. Sometimes you need to copy others before you can understand your own style of food. You need to not only learn how to cook, but also be curious like a child, smart and clever.”

A fresco painted by Neapolitan artist Francesco Clemente in one of the rooms in Enrico Crippa’s Piazza Duomo restaurant, in Alba, Italy.
A fresco painted by Neapolitan artist Francesco Clemente in one of the rooms in Enrico Crippa’s Piazza Duomo restaurant, in Alba, Italy.
What did you learn from Italian chef Gualtiero Marchesi? “I worked with him for 10 years in two periods, first when I was 16 years old and then at 25. I helped him open his restaurant, Gualtiero Marchesi, in Kobe, Japan. When I was in Japan I realised I still had much to learn and to grow up.”
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