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Korean traditional ceramic art in the spotlight as modern-day master hosts Hong Kong show and masterclass

  • Buncheong, a form of Korean pottery known for its blue-green tone and decorative designs, originated in the 15th century and all but disappeared soon afterwards
  • As part of the minimalist craft’s revival, potter Huh Sangwook will show his art at Hong Kong’s Lump Studios, and run a workshop for people to make their own

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A piece by South Korean buncheong ceramics master Huh Sangwook, who will show his work in an exhibition and lead a three-day buncheong masterclass at Hong Kong’s Lump Studio, from June 8-10. Photo: Lump Studio
Kylie Knott

The phrase “less is more” is rarely more apt than when used to describe buncheong, a style of ceramics that originated in Korea in the 15th century and is revered for its distinctive style, characterised by a blue-green tone and intricate decorative designs.

Once flourishing in Korea, buncheong all but disappeared from the country following the killing and abduction of ceramic artists during Japanese invasions in the 1590s, and was almost entirely replaced by porcelain from the 16th century.

Today, a growing movement of contemporary potters in South Korea and Japan is keeping the buncheong tradition alive. Seoul-based artist Huh Sangwook is one of them.

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Ceramics fans in Hong Kong can watch Huh at work this month – and admire his creations – at Lump Studio in Wong Chuk Hang, which will host a pop-up exhibition of his pieces and a masterclass.

“Visitors to the exhibition will have the opportunity to immerse themselves in the rich history and intricate techniques of buncheong through a display of Huh’s exceptional works,” says Liz Lau, owner of Lump Studio.

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