K-dramas meet Thai podcasts: Korean TV shows have taken off in Thailand thanks to Netflix, YouTube and Viu – now local podcasts are doing deep dives into Sweet Home, Start-Up, Itaewon Class and more

- Korseries Podcast uses popular K-series as jumping off points to discuss Korean culture in depth, from K-beauty and cosmetic surgery to food and webtoons
- Meanwhile, local online news agency The Standard’s Watch Series to be Serious podcast already has 100,000 subscribers to its YouTube channel
Thanks to the global streaming services Netflix, YouTube and Viu – a Hong Kong-based media provider popular in Southeast Asia, the Middle East and Africa – the popularity of Korean entertainment, especially K-dramas, continues to soar in Thailand.
K-dramas have become trendy, everyday conversation starters for many people in the Southeast Asian country. Their content has also gradually moved in on the local podcast scene, according to a recent report by Bang Ji-hyun, a correspondent in Thailand for the Korea Foundation for International Cultural Exchange (KOFICE).

One such is Korseries Podcast launched in December last year by Thailand’s popular Korean entertainment news website Korseries.com.
By looking at a number of South Korea’s hit series, including True Beauty, Gangnam Beauty, Sweet Home and Start-Up, the weekly programme explores a range of topics from the country’s creative industry to its culture, food and economy.

Presented by hosts Soft – founder of the Korseries website – Lookwa and Air, the podcast offers more than just a casual review of K-dramas as it aims to analyse each show from a wider sociocultural context.

The Standard, a local online news agency, has also rolled out a new podcast called Watch Series to be Serious dedicated to Korean dramas on its YouTube channel, attracting 100,000 subscribers.
Under the theme of introducing Korean series worth watching for the first half of 2021, two hosts – The Standard reporter Jermsiri Lueangsupaporn, whose articles focus on analysing the general Korean entertainment scene, and freelance editor Eddie Sophon – examine the historical and social matters woven into dramatic narratives that may be unfamiliar to those outside Korea.