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Why localisation is key to the continued global success of Korea’s pop culture

Netflix’s When Life Gives You Tangerines and Han Kang’s award-winning novels may all have contributed to the Korean wave, but has it peaked?

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South Korean acts such as Blackpink – seen here performing at Coachella in 2023 – have driven the Korean wave, but it risks fizzling out, according to experts. Photo: Getty Images for Coachella
The Korea Times

From films and dramas to K-pop, literature, stage performances and animation, K-culture has secured a central place on the global stage. The question now is how long it can maintain its momentum.

Alongside the Korean wave, or hallyu, narrative, concerns about saturation and decline persist. Experts argue that new strategies are needed to chart the course of the “Next K”.

Analysts agree that Korean content has moved past relying solely on novelty. To become a global standard like Hollywood, K-culture must embrace localisation. Song Jin, head of the Industrial Policy Research Center at the Korea Creative Content Agency, pointed to Netflix series When Life Gives You Tangerines, which adapted its title differently for each market.
South Korean actors Park Bo-gum (left) and IU (right) as Yang Gwan-sik and Oh Ae-sun in When Life Gives You Tangerines. Photo: Netflix
South Korean actors Park Bo-gum (left) and IU (right) as Yang Gwan-sik and Oh Ae-sun in When Life Gives You Tangerines. Photo: Netflix

“From subtitles and dubbing to nuanced cultural adjustments, reducing barriers for global viewers requires meticulous effort,” he said.

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The series’ English title transformed the US proverb, “When life gives you lemons, make lemonade,” by swapping lemons for tangerines.

Song also emphasised co-production with local creators and casting diverse artists as vital for accessibility. “K-content is no longer simply stories made in Korea and exported abroad. For sustainable growth, it must evolve into ‘Made with Korea,’” he said.

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Go Sam-seok, a professor at Dongguk University, noted that Southeast Asia is a focal point. “China is heavily investing there, but when these countries seek partners, they look to Korea rather than the US or China. If we meet that demand, hallyu can continue to expand,” he said.

Reducing reliance on Netflix

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