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How Art Basel Hong Kong is fuelling the Greater Bay Area’s cultural ambitions

Hong Kong, Macau and Shenzhen are lavishing money on art venues and shows, but can really this buy them lasting cultural capital?

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The West Kowloon Cultural District Authority has organised arts events in March, seeking to extend Hong Kong’s cultural month beyond the Convention Centre. Photo: Handout
Aidyn Fitzpatrick
Though it may not appear so, a battle takes place every March when Art Basel comes to Hong Kong’s Convention Centre. The fight isn’t over which gallery can sell more paintings or which collector writes the biggest cheques, but over whether the Greater Bay Area (GBA) can convince visitors that this corner of Southern China – expected to record more than US$2.15 trillion in economic output for 2025 – is not just a business powerhouse but a cultural one.

GBA policymakers have embraced the lexicon of the cultural hub. Hong Kong bills itself as a “centre for international cultural exchange”, and Macau as a “city of performing arts”. Dongguan’s policy blueprints call for the establishment of a “strong cultural area”, while Shenzhen proclaims itself a creativity and innovation capital. Guangzhou leans on a cluster of triennials – in art, image and design – for its cultural branding. Wherever you go in the GBA, you’ll find art as soft power.

Perhaps none does so with as much verve as Hong Kong, where Art Basel, Art Central and a raft of museum exhibitions are gathered into a wider package of events known as “Hong Kong Super March”.

More often associated with hardware, the city of Shenzhen now has its own art week. Pictured is Art Shenzhen in December 2024. Photo: Handout
More often associated with hardware, the city of Shenzhen now has its own art week. Pictured is Art Shenzhen in December 2024. Photo: Handout
Art Basel is the artsy showpiece in this branding armory, this year luring around 240 galleries from more than 40 countries and regions. It also sets off a whirl of activity in the local arts scene. A spokesperson for the West Kowloon Cultural District Authority says that March “provides a prime opportunity to offer meaningful context beyond traditional fairs and auctions … and to encourage discussions on the latest industry developments for visiting members of the global arts community.” The authority put on a performing arts festival beginning March 19, and timed an international cultural summit for March 22 and 23. Such offerings, the spokesperson says, “extend beyond the Convention Centre”.
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There are risks to the “Super March” strategy, however. Mega-events can flatten a destination into a mere backdrop for short-stay fair-goers and art insiders. They focus “on short-term spectacles and selfie-friendly moments, over long-term and deep engagements with culture,” says Dr Ashley Lee Wong, an assistant professor of cultural studies at Chinese University of Hong Kong. “Mega-events require huge investment for large [but] short-term impact.”

Yet the upside is equally clear: a critical mass of events brings in high‑spending visitors in a well defined window, enabling officials to point to attendance figures, hotel occupancy and social‑media reach. For a city still struggling to match pre‑pandemic arrival numbers, the temptation is difficult to resist.

An artwork titled Valkyrie Miss Dior by Portuguese artist Joana Vasconcelos displayed at MGM Cotai as part of the Art Macau Biennale in 2023. Photo: Yik Yeung-man
An artwork titled Valkyrie Miss Dior by Portuguese artist Joana Vasconcelos displayed at MGM Cotai as part of the Art Macau Biennale in 2023. Photo: Yik Yeung-man

Hong Kong’s GBA neighbours should, in theory, benefit from any visitor surge – but viewed through the Convention Centre’s vast windows, the GBA can sometimes seem as obscure as the Kowloon skyline in springtime fog. To be sure, the region’s 11 cities have deep economic ties and quick connections by bridge, ferry and rail. But for Art Basel visitors, the GBA is not so much a cultural polity as a policy slogan.

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