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Asian cinema: Chinese films

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Asian cinema: Chinese films
The latest news, analysis and opinion on Asian cinema: Chinese films. In-depth analysis, industry insights and expert opinion.
HIGHLIGHTS FROM
Multimedia artist Lap-see Lam draws inspiration from her multicultural background. Photo: Mattias Lindbäck

Fried bananas and family lore: a Swedish-Chinese art story

Lam turns Swedish-Chinese restaurant culture and digital defects into haunting works about migration, memory and generational loss.

Reading Time:7 minutes
Signature dishes from The Blind Pig, in Sai Wan Ho. Photo: Handout

How Hong Kong helped a Finnish chef love his homeland

Reading Time:4 minutes
Kai Ching Estate in Kai Tak, Kowloon, Hong Kong. Photo: Alexander Mak

Too shiny, straight, serious, samey: when architecture stops feeling human

Reading Time:9 minutes
Coco Capitán poses for a portrait at ArtisTree, Quarry Bay, Hong Kong ahead of her upcoming show. Photo: Jocelyn Tam

From pirate dreams to public text, a restless creative voice arrives in the city

Reading Time:8 minutes
Christie’s auctioneer Rahul Kadakia and his billion-dollar gavel. Photo: Jocelyn Tam

‘We didn’t play with toys, we played with jewels’: meet the man born for the rostrum

Reading Time:3 minutes
Portrait of Abul Bajandar, his wife Alhima Khauton and two daughters, Bangladesh, 2023. Abul Bajandar know as “Treeman” - gigantic warts cover his hands and feet, huge protuberances with the texture of tree bark growing especially big around fingers and toes, but also in the arms and legs. These are an extremely rare symptom of his extremely rare condition, epidermodysplasia verruciformis. There are less than 10 documented cases worldwide and, since there is no known cure.

Credit: Miguel Candela

His dream came true. But for viral ‘tree man’, much worse was to come

Reading Time:7 minutes
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Content from SCMP's Specialist Publications
A still from Night Bus (2019).
Chinese language cinema

Why fierce mothers and violent monsters star in Joe Hsieh’s animations

Taiwanese director Hsieh reflects on the strength of women, preferring hand-drawn animation over AI, and using violence in film.

Asian cinema: Hong Kong film

Review | We’re Nothing at All: Herman Yau’s grim social critique lacks all subtlety

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Asian cinema: Hong Kong film

3 Anthony Wong films from the early 90s that show his wide acting range

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Hong Kong celebrities and icons

Profile | How Leslie Cheung broke all the rules to become a Hong Kong superstar

The music and cinema legend’s artistry, vulnerability and defiance in a conservative Asian society forever reshaped Hong Kong pop culture.

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Hong Kong pop icon Leslie Cheung on the set of director Wong Kar-wai’s Days of Being Wild in 1990. Cheung was a trailblazing Cantopop icon who reshaped Hong Kong’s entertainment scene. Photo: SCMP
Asian cinema: Hong Kong film

How director Benny Chan bridged old-school stunts and modern action

2003’s Heroic Duo and 2007’s Invisible Target were full of the director’s flair for action, reckless stunts and literal explosive scenes.

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American cinema

How the eye-catchingly sexist DOA: Dead or Alive survived chaotic China shoot

Filmed at Hengdian World Studios, DOA: Dead or Alive helped pioneer East-West cinema collaboration – even if it bombed at the box office.

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On Our Radar

Hong Kong International Film Festival brings out the big guns for its 50th year

The city’s flagship cinema event marks its Golden Jubilee with a global slate, major auteurs and a spotlight on Asian storytelling.

Yeo Yann Yann and Andi Lim in a still from We Are All Strangers, directed by Anthony Chen. Photo: courtesy Giraffe Pictures.
Asian cinema: Hong Kong film

Review | Ciao UFO: Charlene Choi leads nostalgic trip through Hong Kong history

Chui Tien-you and Wong You-nam join Charlene Choi in Patrick Leung’s poignant character drama that finally arrives at cinemas after debuting in 2019.

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Asian cinema

Best movies to watch at the Hong Kong International Film Festival 2026

Silent Friend, Sirat, Good Boy and Pillion are among our top picks at this year’s festival, which is celebrating its 50th edition.

Asian cinema: Hong Kong film

How Herman Yau transitioned from gory cult films to action blockbusters

Once known for Category III shockers such as Ebola Syndrome, Herman Yau has become the go-to director for action blockbusters.

Hong Kong filmmaker Herman Yau. We examine the Hong Kong director’s journey from cult horror films to action blockbusters. Photo: Jonathan Wong
Hong Kong celebrities and icons

Profile | From TVB queen to YouTube star, how Carol ‘Dodo’ Cheng does it all

Hong Kong icon Carol “Dodo” Cheng has worn many hats – actor, television host, content creator – continually reinventing herself across five decades.

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Carol “Dodo” Cheng at an interview with the SCMP in 2004. We examine the Hong Kong star’s journey from actor to content creator on YouTube. Photo: Jonathan Wong
Asian cinema: Hong Kong film

Review | Gamer Girls: Angela Yuen leads beguiling Hong Kong esports drama

This engaging tale of an all-female esports team delivers an underdog story with a light touch and punches well above its modest budget.

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Asian cinema: Hong Kong film

This Hong Kong martial arts movie pioneered the superhero team in Chinese cinema

The Five Venoms launched the iconic run of the Venom Mob, a group of actors brought together by Chang Cheh that appeared in various films.

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Editor's Letter

This week in PostMag: a focus on women in film, sport, science and life

For International Women’s Day, we look at women as wives and mistresses, as marine researchers, as athletes, and as battlers against perimenopause.

Elizabeth Lo, director of the Mistress Dispeller documentary, on the cover of this week’s PostMag print edition. Photo: Jocelyn Tam
Asian cinema: Hong Kong film

Review | Girlfriends: Fish Liew and Jennifer Yu reunite for tender lesbian romance

Tracy Choi’s semi-autobiographical, episodic drama gives an intimate portrait of a woman searching for her place at different stages of life.

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Fish Liew (left) and Jennifer Yu in a still from Girlfriends (category: IIB, Cantonese, Mandarin). Directed by Tracy Choi and co-starring Elizabeth Tang.
Asian cinema: Hong Kong film

Review | Ultimate Revenge: Hong Kong crime thriller is all brawn and no brains

Loud, action-packed and completely chaotic, Terry Ng’s Ultimate Revenge is packed with thrills but fails to deliver on plot.

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Asian cinema: Hong Kong film

Love ‘A Better Tomorrow’? The Hong Kong director and film that inspired it

Patrick Lung Kong was known for films that imparted moral lessons. We look at ‘The Story of a Discharged Prisoner’ and ‘Teddy Girls’.

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Hong Kong celebrities and icons

Profile | Why Michael Tse, Hong Kong actor behind Laughing Gor, is a lesson in resilience

Michael Tse’s journey from backup dancer to Young and Dangerous henchman to leading film and TV actor showcases his endurance and tenacity.

Michael Tse at an interview with the SCMP in 2009. Tse’s remarkable entertainment journey has led him from backup dancer to the iconic Laughing Gor, viral memes and mainland China stardom. Photo: SCMP
Chinese language cinema

Review | Scare Out: Zhang Yimou tackles national security in subpar Chinese spy thriller

A story of a mole inside a state security team in China, Scare Out is slickly executed but narratively muddled, and far from Zhang’s best.

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Chinese language cinema

Review | Double Happiness: Liu Kuan-ting, Jennifer Yu lead clever wedding comedy

A couple have two simultaneous wedding ceremonies to keep their parents apart in Double Happiness, an ingenious comedy of errors.

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Asian cinema: Hong Kong film

How these 2 films became classics of Hong Kong’s Chinese folk opera cinema

Love Eterne and Dream of the Red Chamber are two very different ‘huangmei diao’ films from legendary Hong Kong director Li Han-hsiang.

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Betty Loh Ti (second from right) and Ivy Ling Po (right) in a still from The Love Eterne (1963), directed by Li Han-hsiang. Photo: Shaw Brothers Studio
Chinese language cinema

How Anthony Chen’s We Are All Strangers captures the beauty of Singapore

Singaporean director portrays ordinary folk with dignity in the final film in his ‘Growing Up’ trilogy with Yeo Yann Yann and Koh Jia Ler.

Yeo Yann Yann (left) in a still from We Are All Strangers, the third film in Anthony Chen’s “Growing Up” trilogy. Photo: Giraffe Pictures
American cinema

Why Saving Face is the most important Asian-American lesbian film ever made

Alice Wu fought to film Saving Grace with an all Asian-American cast, and the film inspired a generation of Asian-American filmmakers.

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Asian cinema: Hong Kong film

With Blades of the Guardians, Yuen Woo-ping revives the wuxia blockbuster

Hong Kong martial arts choreographer and director Yuen Woo-ping returns with an epic wuxia, starring Wu Jing and Nicholas Tse.

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Asian cinema: Hong Kong film

Review | Blades of the Guardians: Wu Jing leads star-studded Chinese martial arts epic

Starring Wu Jing, Nicholas Tse and Chen Lijun, the visually stunning Blades of the Guardians is one of the fiercest wuxia films in years.

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Wu Jing (left) and Nicholas Tse in a still from Blades of the Guardians (category IIB, Mandarin), directed by Yuen Woo-ping. Chen Lijun co-stars.
Asian cinema: Hong Kong film

Review | Jackie Chan’s hot streak continues with Panda Plan: The Magical Tribe

Panda Plan: The Magical Tribe manages to overcome its previous instalment’s failings to become a fun, wholesome family adventure.

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Jackie Chan in a still from Panda Plan: The Magical Tribe (category IIA, Mandarin), directed by Derek Hui. Ma Li co-stars.
Chinese language cinema

Review | We Are All Strangers: Anthony Chen’s epic look at fatherhood in Singapore

A beautiful conclusion to Anthony Chen’s ‘Growing Up’ trilogy, We Are All Strangers is a study of family and love in all its forms.

Asian cinema: Hong Kong film

Review | Night King: Dayo Wong, Sammi Cheng lead enjoyably fluffy nightclub comedy

While slightly disjointed and overlong, Night King delivers a fun blend of romance and nostalgic glamour set in Hong Kong’s nightclub scene.

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