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Asian cinema: Chinese films

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Asian cinema: Chinese films
The latest news, analysis and opinion on Asian cinema: Chinese films. In-depth analysis, industry insights and expert opinion.
HIGHLIGHTS FROM
The summit of Norman Foster’s HSBC Main Building in relief against The Peak, 1986. Photo: Ian Lambot

The building that rewrote architecture – 40 years ago

The architect whose creation defied convention and the photographer who shot it share their thoughts on an inside-out marvel.

Reading Time:7 minutes
The Chung Hom Kok, Hong Kong, home designed by Studio Quinn. Photo: courtesy Studio Quinn and Common Studio

How art transformed a Hong Kong home

Reading Time:4 minutes
Signature dishes from The Blind Pig, in Sai Wan Ho. Photo: Handout

How Hong Kong helped a Finnish chef love his homeland

Reading Time:4 minutes
Kai Ching Estate in Kai Tak, Kowloon, Hong Kong. Photo: Alexander Mak

Too shiny, straight, serious, samey: when architecture stops feeling human

Reading Time:9 minutes
Multimedia artist Lap-see Lam draws inspiration from her multicultural background. Photo: Mattias Lindbäck

Fried bananas and family lore: a Swedish-Chinese art story

Reading Time:7 minutes
Christie’s auctioneer Rahul Kadakia and his billion-dollar gavel. Photo: Jocelyn Tam

‘We didn’t play with toys, we played with jewels’: meet the man born for the rostrum

Reading Time:3 minutes
MORE IN POSTMAG
Content from SCMP's Specialist Publications
Taiwanese actress Gingle Wang at an interview with the SCMP in Tsim Sha Tsui on April 2, 2026. Photo: SCMP / Karma Lo
Chinese language cinema

How Gingle Wang went from clueless novice to one of Taiwan’s top young actresses

Wang’s first-ever scene took 33 takes, but now she is a ‘box office guarantee’ in Taiwan and an increasingly familiar face internationally.

Asian cinema: Hong Kong film

What happened when Ann Hui adapted Eileen Chang’s classic stories?

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Chinese language cinema

Why fierce mothers and violent monsters star in Joe Hsieh’s animations

Asian cinema: Hong Kong film

Review | We’re Nothing at All: Herman Yau’s grim social critique lacks all subtlety

A gripping drama, We’re Nothing at All explores societal apathy through a tragic bus blast – but its heavy-handed approach may deter viewers.

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Anson Kong in a still from We’re Nothing at All (category III, Cantonese), directed by Herman Yau. Patrick Tam and Anson Chan co-star.
Asian cinema: Hong Kong film

3 Anthony Wong films from the early 90s that show his wide acting range

Before becoming stereotyped for extreme roles, Wong gave nuanced turns as a whiny gangster opposite Chow Yun-fat and as Veronica Yip’s tormentor.

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Hong Kong celebrities and icons

Profile | How Leslie Cheung broke all the rules to become a Hong Kong superstar

The music and cinema legend’s artistry, vulnerability and defiance in a conservative Asian society forever reshaped Hong Kong pop culture.

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Asian cinema: Hong Kong film

How director Benny Chan bridged old-school stunts and modern action

2003’s Heroic Duo and 2007’s Invisible Target were full of the director’s flair for action, reckless stunts and literal explosive scenes.

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Nicholas Tse in a still from Invisible Target (2007), directed by Benny Chan, whose 2000s films were a blend of classic stunts and modern action.
American cinema

How the eye-catchingly sexist DOA: Dead or Alive survived chaotic China shoot

Filmed at Hengdian World Studios, DOA: Dead or Alive helped pioneer East-West cinema collaboration – even if it bombed at the box office.

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On Our Radar

Hong Kong International Film Festival brings out the big guns for its 50th year

The city’s flagship cinema event marks its Golden Jubilee with a global slate, major auteurs and a spotlight on Asian storytelling.

Asian cinema: Hong Kong film

Review | Ciao UFO: Charlene Choi leads nostalgic trip through Hong Kong history

Chui Tien-you and Wong You-nam join Charlene Choi in Patrick Leung’s poignant character drama that finally arrives at cinemas after debuting in 2019.

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Charlene Choi in a still from Ciao UFO (Category: IIA, Cantonese), directed by Patrick Leung and co-starring Chui Tien-you and Wong You-nam.
Asian cinema

Best movies to watch at the Hong Kong International Film Festival 2026

Silent Friend, Sirat, Good Boy and Pillion are among our top picks at this year’s festival, which is celebrating its 50th edition.

Tony Leung Chiu-wai in a still from Silent Friend.
Asian cinema: Hong Kong film

How Herman Yau transitioned from gory cult films to action blockbusters

Once known for Category III shockers such as Ebola Syndrome, Herman Yau has become the go-to director for action blockbusters.

Hong Kong celebrities and icons

Profile | From TVB queen to YouTube star, how Carol ‘Dodo’ Cheng does it all

Hong Kong icon Carol ‘Dodo’ Cheng has worn many hats – actor, television host, content creator – continually reinventing herself across five decades.

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Asian cinema: Hong Kong film

Review | Gamer Girls: Angela Yuen leads beguiling Hong Kong esports drama

This engaging tale of an all-female esports team delivers an underdog story with a light touch and punches well above its modest budget.

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Angela Yuen as online gamer Summer in a still from Gamer Girls (category IIB, Cantonese), directed by Veronica Bassetto and Sophie Yang.
Asian cinema: Hong Kong film

This Hong Kong martial arts movie pioneered the superhero team in Chinese cinema

The Five Venoms launched the iconic run of the Venom Mob, a group of actors brought together by Chang Cheh that appeared in various films.

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Lo Mang (left) in a still from Five Deadly Venoms, Chang Cheh’s 1978 film.
Editor's Letter

This week in PostMag: a focus on women in film, sport, science and life

For International Women’s Day, we look at women as wives and mistresses, as marine researchers, as athletes, and as battlers against perimenopause.

Asian cinema: Hong Kong film

Review | Girlfriends: Fish Liew and Jennifer Yu reunite for tender lesbian romance

Tracy Choi’s semi-autobiographical, episodic drama gives an intimate portrait of a woman searching for her place at different stages of life.

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Asian cinema: Hong Kong film

Review | Ultimate Revenge: Hong Kong crime thriller is all brawn and no brains

Loud, action-packed and completely chaotic, Terry Ng’s Ultimate Revenge is packed with thrills but fails to deliver on plot.

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Alex Fong in a still from Ultimate Revenge.
Asian cinema: Hong Kong film

Love ‘A Better Tomorrow’? The Hong Kong director and film that inspired it

Patrick Lung Kong was known for films that imparted moral lessons. We look at ‘The Story of a Discharged Prisoner’ and ‘Teddy Girls’.

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Hong Kong celebrities and icons

Profile | Why Michael Tse, Hong Kong actor behind Laughing Gor, is a lesson in resilience

Michael Tse’s journey from backup dancer to Young and Dangerous henchman to leading film and TV actor showcases his endurance and tenacity.

Chinese language cinema

Review | Scare Out: Zhang Yimou tackles national security in subpar Chinese spy thriller

A story of a mole inside a state security team in China, Scare Out is slickly executed but narratively muddled, and far from Zhang’s best.

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Jackson Yee as security operative Yan Di in a still from Scare Out (category IIB, Mandarin), directed by Zhang Yimou. Zhu Yilong and Song Jia co-star.
Chinese language cinema

Review | Double Happiness: Liu Kuan-ting, Jennifer Yu lead clever wedding comedy

A couple have two simultaneous wedding ceremonies to keep their parents apart in Double Happiness, an ingenious comedy of errors.

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Jennifer Yu (left) and Liu Kuan-ting in a still from Double Happiness.
Asian cinema: Hong Kong film

How these 2 films became classics of Hong Kong’s Chinese folk opera cinema

Love Eterne and Dream of the Red Chamber are two very different ‘huangmei diao’ films from legendary Hong Kong director Li Han-hsiang.

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Chinese language cinema

How Anthony Chen’s We Are All Strangers captures the beauty of Singapore

Singaporean director portrays ordinary folk with dignity in the final film in his ‘Growing Up’ trilogy with Yeo Yann Yann and Koh Jia Ler.

American cinema

Why Saving Face is the most important Asian-American lesbian film ever made

Alice Wu fought to film Saving Grace with an all Asian-American cast, and the film inspired a generation of Asian-American filmmakers.

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Michelle Krusiec (left) and Lynn Chen in a still from Saving Face (2004), directed by Alice Wu.
Asian cinema: Hong Kong film

With Blades of the Guardians, Yuen Woo-ping revives the wuxia blockbuster

Hong Kong martial arts choreographer and director Yuen Woo-ping returns with an epic wuxia, starring Wu Jing and Nicholas Tse.

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Wu Jing as Dao Ma in a still from Blades of the Guardians, directed by Yuen Woo-ping, who helped define the martial arts genre in cinema.
Asian cinema: Hong Kong film

Review | Blades of the Guardians: Wu Jing leads star-studded Chinese martial arts epic

Starring Wu Jing, Nicholas Tse and Chen Lijun, the visually stunning Blades of the Guardians is one of the fiercest wuxia films in years.

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Asian cinema: Hong Kong film

Review | Jackie Chan’s hot streak continues with Panda Plan: The Magical Tribe

Panda Plan: The Magical Tribe manages to overcome its previous instalment’s failings to become a fun, wholesome family adventure.

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