Arts & Music

Möth Agency evolved to fill a gap in Hong Kong’s dance music scene, one of the DJs leading it says, but its mission extends to providing social welfare and solidarity for people who feel marginalised.

Hong Kong artist Trevor Yeung’s aquarium installations at the Venice Biennale are devoid of fish. Post Magazine finds out why.

Scottish punk rockers Skids are playing their first Hong Kong gig on April 30. Frontman Richard Jobson, who can’t wait to perform in his favourite city, talks about starting out in music aged 16 in 1977.

Named orchestra of the year in 2019, HK Phil planned a tour to capitalise on the accolade, but the Covid-19 pandemic delayed it. Five years later it finally set off. Post Magazine went along for the ride.

Hong Kong human rights lawyer and charity founder Patricia Ho explains how The Dive, by New Zealand-born Veronica Green, continues to empower her years after she fell in love with it at an art fair.

Leo1Bee, the artist behind conceptual record Wilderness, talks about his influences, love of R&B and why his latest album is his critique of society that has been a long time in the making.

What have a London gay cruising hotspot and Hong Kong’s sacred Lam Tseun Wishing Tree got in common? Get down to artist Trevor Yeung’s ‘Soft Breath’ art exhibition at Para Site to find out.

Flower Drum Song (1961), the first Hollywood film with a mostly Asian cast, was a rare box-office dud for Rodgers and Hammerstein. Was it a coincidence? We look back at the groundbreaking musical.

Ink artist T.K. Chan, a co-founder of Hong Kong’s Blink Gallery, explains how Chinese artist Water Poon’s innovative ink paintings, especially Get Together (2015), changed her life.

In an Asian first, the Hong Kong International Shakespeare Festival, taking place in June, will see works by the British playwright reinterpreted by troupes from Romania to the UK to South Korea.

Roxanne Seeman has written for Barbra Streisand, The Jacksons and Phil Collins among others. Now she is penning Cantopop and Mandopop songs. The New Yorker reveals what shaped her Chinese sensibilities.

In a quiet corner of Tai Hang, the Lin Fa Kung Temple has been providing solace and serenity to residents of the urban village since 1863.

Ahead of their recent Hong Kong show, British shoegaze band Slowdive sat down with the Post to talk about how getting older has changed them, their musical tastes and creative process.

Manila-born Filipino-Chinese artist MM Yu didn’t fit in growing up, and turned to art to document everyday life. In her first Hong Kong solo exhibition, she recreates her past to explore her identity.

British sculptor Henry Moore’s life and work was celebrated in an exhibition in Hong Kong in 1986, opened by the Duchess of Kent, and an extensive catalogue published in Chinese and English in 1987.

Artist’s Night at Hong Kong’s Tai Kwun heritage arts centre spotlights three Asian artists, as well as one South African, in an eclectic programme featuring sonic and visual installations.

I.M. Pei’s distinctive, angular Bank of China Tower, in Hong Kong, was a heavy influence on architect and artist Raymond Fung, who recalls seeing it under construction and later working for Pei.