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For his new Hong Kong exhibition, “Master Chui’s Kitchen”, ink artist Chui Pui-chee has added wine and liquor to his ink to create food- and drink-related art with rich effects and enhanced colours. Photo: Life In Space

‘Varying degrees of drunkenness’: Hong Kong ink artist’s show mixes wine, liquor and food with advanced brush techniques in a feast for the eyes

  • Chui Pui-chee added red wine and Chinese baijiu to his ink to create ‘rich’ effects and enhance the colours of works on show at Hong Kong’s Karin Weber Gallery
  • The show, called Master Chui’s Kitchen, combines calligraphy and painting techniques ‘in a similar way to fine cooking’ to create various food-related pieces
Art

Most people would consider a wine stain annoying. Not Chui Pui-chee.

The Hong Kong ink artist saw its potential and incorporated a few drops of red into his creations, resulting in the aptly titled calligraphy pieces Merry Drunk and Slightly Drunk.

“I added red wine to the Chinese ink to capture the garnet, mahogany or ruby colour of red wine,” says Chui, adding that he applied different quantities to produce different shades to “express varying degrees of drunkenness”.

“Together with the layering of ink and the champagne gold, it creates a very rich effect. I think this is a stroke of genius and the works look very interesting.”

“Merry Drunk” is part of Chui’s “Master Chui’s Kitchen” exhibition at Hong Kong’s Karin Weber Gallery, until September 16, 2023. Photo: Karin Weber Gallery

And he didn’t waste a drop.

“It’s downside – which I actually don’t mind – is that I get to consume the wine after I open the bottle.”

“Slightly Drunk”, part of Chui’s “Master Chui’s Kitchen” exhibition, contains red wine stains to create “a very rich effect”. Photo: Karin Weber Gallery

Embracing wine as paint is the sort of boundary-pushing experimentation expected from Chui, whose works feature in his solo show “Master Chui’s Kitchen” at Karin Weber Gallery in Hong Kong until September 16.

“I use advanced calligraphy and painting techniques in a similar way to fine cooking, which is how the idea of ‘Master Chui’s Kitchen’ came about.”

For his piece Gain Profit Whenever One Pleases, Chui captures a crab, the crustacean being not just a popular delicacy in Hong Kong but a familiar subject in Chinese ink painting, for example in Five Crabs, by Qi Baishi (1864-1957).

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“I bought fresh crabs from the wet market and spent days studying their structure,” he says.

“Traditional Chinese ink painters painted crabs using a simple gongbi technique,” he says, referring to the realist style characterised by close attention to detail and fine brush work. “I applied this same technique in a more refined manner.”

Each series, he says, requires the use of specific paper and ink, and involves complex steps.

For “Gain Profit Whenever One Pleases”, Chui says he bought crabs from a wet market so he could study their structure. Photo: Karin Weber Gallery

“I started grinding my ink more than a decade ago and because it contains less preservatives, I have to store it in the refrigerator to prevent it going bad,” he says.

To enhance the ink’s pigmentation the artist again embraced booze, this time a tipple known as China’s “national liquor”.

“I was told that adding Mao-tai to the ink kills the bacteria and enhances the ink colour,” he says. “I tried it and it works.”

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Chui has previously produced detailed works featuring ants and bees, and nature is likely to shape his next series, too.

“There are many Chinese words and [pieces of] literature related to flowers, so I think I’ll paint flowers. Perhaps with different script types of Chinese calligraphy.”

“Master Chui’s Kitchen”, 11am-7pm, Tuesday-Saturday, Karin Weber Gallery, 20 Aberdeen Street, Central, tel: 2544 5004. Ends September 16.

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