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Chinese language cinema

Chinese language cinema
From Andy Lau to John Woo, from Jiang Wen to Tsai Ming-liang to Sylvia Chang, and from triads to kung fu to hopping vampires to costume epics, this is the place to go for features, interviews and reviews about Chinese-language movies from Hong Kong, Taiwan and mainland China.
Angela Mao (right) and Carter Wong in a still from The Tournament (1974). Mao learned martial arts at a Peking opera school in Taiwan. Photo: Fortune Star Media
Asian cinema: Hong Kong film

Why Angela Mao, aka ‘the new Bruce Lee’, was a better fighter than Michelle Yeoh

Angela Mao, star of hits like Hapkido and Lady Whirlwind, was billed as the ‘new Bruce Lee’ by Golden Harvest after his death.

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China’s soft power

Why are modern Chinese audiences shying away from dubbed films?

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Asian cinema: Hong Kong film

Review | Cold War 1994: Hong Kong crime thriller prequel is a star-studded blast

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Asian cinema: Hong Kong film

How Hong Kong crime films have adapted in the national security law era

From Donnie Yen’s The Prosecutor to Cold War 1994, recent Hong Kong police thrillers are navigating tightened censorship in ingenious ways.

Lau Ching-wan (left) and Raymond Lam Fung in a still from Detective vs Sleuths.
Asian cinema: Hong Kong film

The bloody legacy of The One-Armed Swordsman film sequels

The two follow-ups to The One-Armed Swordsman are somewhat different to the original hit film but plenty of blood runs through all three.

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Hong Kong celebrities and icons

Profile | The wild journey behind Tony Leung Ka-fai’s Hong Kong Film Awards record

Tony Leung Ka-fai’s fifth HKFA best actor win cements his legendary cinema status amid years of resilience, reinvention and cultural impact.

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Asian cinema: Hong Kong film

How a Hong Kong indie film uses tea to bridge the city’s ethnic minority divide

Brian Hung’s Let’s Have a Cup of Doodh Patti Chai looks at Hong Kong’s ethnic minorities and how tea brings together people of many cultures.

Chris (Kenneth Cheung, left) befriends Singh (Inderjeet Singh) in a still from Let’s Have a Cup of Doodh Patti Chai. Photo: Brian Hung
Hong Kong entertainment

Hong Kong Film Awards: Ciao UFO wins top prizes as Sons of the Neon Night glows

Sci‑fi drama Ciao UFO named best film while crime thriller Sons of the Neon Night wins eight prizes.

Asian cinema: Hong Kong film

Why these 1980s Hong Kong crime movies produced by Tsui Hark are hidden gems

The Big Heat and Gunmen, both released in 1988, are brutal action thrillers full of violence, brotherhood drama and intrigue.

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American cinema

How M. Butterfly subverted Western fantasies of Chinese femininity

David Cronenberg’s 1993 movie starring John Lone as a cross-dresser who woos Jeremy Irons’ diplomat was an interesting but failed experiment.

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John Lone in a still from M. Butterfly. David Cronenberg’s Beijing-set romance featuring Lone as a spy who disguises himself as a woman to seduce Jeremy Irons’ French diplomat was an interesting experiment, even if it failed to convince audiences.
Asian cinema: Hong Kong film

Who will win at the Hong Kong Film Awards 2026? Our predictions

SCMP film editor Edmund Lee forecasts the best film, director, screenplay, actors and supporting actors at this weekend’s 44th HKFA.

Louis Koo in a still from Back to the Past.
Asian cinema: Chinese films

What A Foggy Tale taught Will Or and 9m88 about Taiwan’s White Terror era

Will Or and Joanne Tang (9m88) reveal how their characters in A Foggy Tale inspired and moved them in different ways.

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Asian cinema: Hong Kong film

Why these 3 Hong Kong comedies from the 1970s and 80s became local favourites

Itchy Fingers, Pom Pom and Where’s Officer Tuba? were mainstream films that shone amid the proliferation of kung fu and action comedies.

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Hong Kong celebrities and icons

Profile | ‘Not pretty enough’? Joey Yung became a top Cantopop star anyway

From rejected teen singer to Cantopop legend, Joey Yung’s grit, voice and unwavering work ethic have outlasted her critics.

Singer Joey Yung at Lee Garden Two in Causeway Bay, Hong Kong, in 2006. The singer defied early career setbacks to become a Cantopop icon. Photo: Oliver Tsang
Asian cinema: Chinese films

Review | Pegasus 3: Shen Teng roars back in Han Han’s blockbuster racing sequel

Shen Teng stars as a former rally champion who has fallen on hard times in Pegasus 3, which really takes off in its exhilarating third act.

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Shen Teng in a still from Pegasus 3 (category IIA, Mandarin), directed by Han Han. Andrew Yin and Huang Jingyu co-star.
Asian cinema: Chinese films

How Gingle Wang went from clueless novice to one of Taiwan’s top young actresses

Wang’s first-ever scene took 33 takes, but now she is a ‘box office guarantee’ in Taiwan and an increasingly familiar face internationally.

Asian cinema: Hong Kong film

What happened when Ann Hui adapted Eileen Chang’s classic stories?

Director Ann Hui has adapted three of Eileen Chang’s stories for the big screen. We look at two: Love in a Fallen City and Eighteen Springs.

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Hong Kong society

Student in contentious Hong Kong documentary hits out at Italian screening plan

Ah Ling, who featured in award-winning To My Nineteen-Year-Old Self, says no one consulted her about screening at film festival.

A still from Mabel Cheung documentary “To My Nineteen-Year-Old Self”, which followed six girls over a decade. Photo: Handout
Hong Kong economy

Hong Kong IP festival Con-Con draws crowds on opening day

Visitors to two-day Con-Con Hong Kong 2026 stock up on exclusive merchandise at booths and take pictures of the latest figurines.

Hong Kong society

Hong Kong documentary pulled from cinemas 3 years ago to be screened in Italy

To My Nineteen-year-old Self will be shown at Far East Film Festival after withdrawal in 2023 over lack of consent from interviewees.

Asian cinema: Chinese films

Why fierce mothers and violent monsters star in Joe Hsieh’s animations

Taiwanese director Hsieh reflects on the strength of women, preferring hand-drawn animation over AI, and using violence in film.

A still from Night Bus (2019).
Asian cinema: Hong Kong film

Review | We’re Nothing at All: Herman Yau’s grim social critique lacks all subtlety

A gripping drama, We’re Nothing at All explores societal apathy through a tragic bus blast – but its heavy-handed approach may deter viewers.

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Anson Kong in a still from We’re Nothing at All (category III, Cantonese), directed by Herman Yau. Patrick Tam and Anson Chan co-star.
Asian cinema: Hong Kong film

3 Anthony Wong films from the early 90s that show his wide acting range

Before becoming stereotyped for extreme roles, Wong gave nuanced turns as a whiny gangster opposite Chow Yun-fat and as Veronica Yip’s tormentor.

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Hong Kong celebrities and icons

Profile | How Leslie Cheung broke all the rules to become a Hong Kong superstar

The music and cinema legend’s artistry, vulnerability and defiance in a conservative Asian society forever reshaped Hong Kong pop culture.

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Asian cinema: Hong Kong film

How director Benny Chan bridged old-school stunts and modern action

2003’s Heroic Duo and 2007’s Invisible Target were full of the director’s flair for action, reckless stunts and literal explosive scenes.

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Nicholas Tse in a still from Invisible Target (2007), directed by Benny Chan, whose 2000s films were a blend of classic stunts and modern action.
American cinema

How the eye-catchingly sexist DOA: Dead or Alive survived chaotic China shoot

Filmed at Hengdian World Studios, DOA: Dead or Alive helped pioneer East-West cinema collaboration – even if it bombed at the box office.

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Holly Valance (right) in a still from DOA: Dead or Alive (2006). Filmed in Hong Kong, mainland China and Thailand, it made just US$7.7 million on a US$30 million budget, and barely secured a release in America.
On Our Radar

Hong Kong International Film Festival brings out the big guns for its 50th year

The city’s flagship cinema event marks its Golden Jubilee with a global slate, major auteurs and a spotlight on Asian storytelling.

Asian cinema: Hong Kong film

Review | Ciao UFO: Charlene Choi leads nostalgic trip through Hong Kong history

Chui Tien-you and Wong You-nam join Charlene Choi in Patrick Leung’s poignant character drama that finally arrives at cinemas after debuting in 2019.

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