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Chinese language cinema

Chinese language cinema
From Andy Lau to John Woo, from Jiang Wen to Tsai Ming-liang to Sylvia Chang, and from triads to kung fu to hopping vampires to costume epics, this is the place to go for features, interviews and reviews about Chinese-language movies from Hong Kong, Taiwan and mainland China.
Louis Koo in a still from Back to the Past. In celebration of the film’s success, here are 10 more of the best examples of big-screen time-travel escapism from across Asia.
Asian cinema

Loved Back to the Past? 10 Asian time travel gems you may also enjoy

After the success of Louis Koo’s Back to the Past, here are 10 other Asian time-travelling movies that are well worth checking out.

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Asian cinema: Hong Kong film

Review | Unexpected Family: Jackie Chan trades kicks for tears in sentimental drama

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Hong Kong entertainment

Hong Kong Cantopop singer Raymond Lam cancels 2 concerts in Japan

Asian cinema: Hong Kong film

Review | Finch & Midland: Anthony Wong and Patrick Tam can’t save grim diaspora drama

A strong cast is wasted in this undignified tale about Hong Kong immigrants struggling in Canada, which mistakes grimness for profundity.

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Patrick Tam in a still from Finch & Midland (category IIB; Cantonese, English), directed by Timothy Yeung. Anthony Wong and Harriet Yeung co-star.
Asian cinema: Hong Kong film

3 of Gong Li’s surprising 1990s Hong Kong movie roles

Gong switched gears after making it in Chinese art-house films, starring with Stephen Chow, Brigitte Lin and others in lesser-known movies.

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Asian cinema: Hong Kong film

Why Jet Li and Wong Jing’s The New Legend of Shaolin is underrated

The 1994 cult classic The New Legend of Shaolin blends comedy, action and child martial artists in a fresh take on the Shaolin myth.

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Hong Kong economy

Back to the Past, starring Louis Koo and Raymond Lam, smashes Hong Kong record

Historical sci-fi action film earns HK$10.91 million in debut, the most for a Chinese film opening in city.

Louis Koo and Raymond Lam star in a new historical sci-fi film Back to the Past. Photo: Nora Tam
China consumption

China’s box office up 22% in 2025 to US$7.4 billion, led by smash hit Ne Zha 2

World’s second-largest movie market sees domestic films capture nearly 80 per cent of sales, while Disney’s Zootopia sequel sets new high for imported titles.

Hong Kong celebrities and icons

Profile | How Jordan Chan went from Hong Kong bad boy to patriotic family man in China

Jordan Chan came from poverty in Guangdong, moved to Hong Kong as a child and worked odd jobs before joining TVB as a dance apprentice.

Asian cinema: Hong Kong film

Review | Back to the Past: Louis Koo, Raymond Lam lead nostalgic film sequel

This big-budget sci-fi fantasy may be an emotional watch for fans of the 2001 Hong Kong show A Step into the Past, even if it falls short.

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Louis Koo in a still from Back to the Past.
Asian cinema

The 12 best Asian films of 2025: Ne Zha 2, Kokuho and more

Our pick of the best Asian films of the past year includes a record-breaking animation and a movie that is nothing short of breathtaking.

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Ryo Yoshizawa in a still from Kokuho, one of the Post’s best Asian films of the past year. Photo: Shuichi Yoshida/ASP
Asian cinema: Hong Kong film

How Stephen Chow and Donnie Yen reinvented Bruce Lee’s classic Chen Zhen

Fist of Fury 1991 with Stephen Chow and TV series Fist of Fury with Donnie Yen saw two different versions of Bruce Lee’s famous character.

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Asian cinema: Hong Kong film

The Hong Kong films released in 2025 ranked from worst to best

It was a rough year for Hong Kong cinema – only Another World made more than HK$14 million locally – but there were still some gems released.

American cinema

How The Joy Luck Club opened the door for majority-Asian casts in Hollywood

The Joy Luck Club (1993) is a complex tale of intergenerational trauma focusing on four Chinese mothers and their daughters in San Francisco.

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Lisa Lu (left) and Rosalind Chao in a still from The Joy Luck Club (1993). The film stands as only the second Hollywood film ever to tell a contemporary story with a majority Asian cast – the first, Flower Drum Song, had arrived 32 years prior.
Asian cinema: Hong Kong film

3 forgotten Hong Kong wuxia gems from director Chor Yuen

Chor Yuen’s Duel for Gold, Clans of Intrigue and Jade Tiger may be less famous than some of his other films, but are just as groundbreaking.

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Ti Lung in a still from Clans of Intrigue (1977). Photo: Celestial Pictures
Asian cinema: Hong Kong film

Review | Pass and Goal: Gigi Leung leads football-themed Hong Kong family comedy

Pass and Goal, starring Gigi Leung and newcomer Chau Tsz-yuet, defies expectations with its feel-good story, good acting and funny dialogue.

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Hong Kong celebrities and icons

Profile | The bold reinvention of 1990s Hong Kong sex symbol Veronica Yip

Veronica Yip posed topless for a Hong Kong magazine and acted in erotic films before becoming a pop singer, TV fixture and a tycoon’s wife.

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Asian cinema: Chinese films

Review | Good Autumn, Mommy: Shu Qi anchors gritty Chinese rural drama

Shu Qi stars as an impoverished woman who believes her newborn was taken from her in Good Autumn, Mommy, set in rural Guangzhou in 1995.

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Shu Qi (front) and Bai Ke in a still from Good Autumn, Mommy.
Asian cinema: Hong Kong film

3 female action stars who ruled Hong Kong cinema alongside Michelle Yeoh

Like Michelle Yeoh, female fighters Cynthia Rothrock, Kara Hui and Shih Szu starred in their own must-see Hong Kong action classics.

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Asian cinema: Hong Kong film

‘We have this gift’: Hong Kong film shows healing power of city’s nature

Never Too Late shows how four Hongkongers found balance and freedom in the city’s natural spaces and why people should cherish its beauty.

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Asian cinema: Hong Kong film

Was Chow Yun-fat’s mainland Chinese film career a success or a flop?

We look at five films that Hong Kong actor Chow Yun-fat made in mainland China, with roles including a sleazy con man and Confucius.

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Chow Yun-fat in a still from Let the Bullets Fly (2010).
Asian cinema: Hong Kong film

Review | Under Current: Aaron Kwok, Francis Ng seek justice in fun but silly thriller

This Hong Kong tale of greed and corruption is a watchable portrait of greed and corruption, but it is also thoroughly detached from reality.

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Aaron Kwok in a still from Under Current (category IIB, Cantonese), directed by Alan Mak. Francis Ng and Alex Fong co-star.
Hong Kong celebrities and icons

Profile | Cantopop icon Alan Tam: from Leslie Cheung’s rival to fans smashing albums

‘Principal Tam’ ruled Cantopop in the late 1970s and ’80s but later vexed fans with his offstage actions. Still, he’s going strong today.

Fame and celebrity

How Hong Kong heartthrob Moses Chan became one of city’s top TV stars

A star of TV hits such as War and Beauty and Where the Legend Begins, Moses Chan is now also a coffee entrepreneur and dedicated family man.

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Asian cinema: Hong Kong film

Review | Road to Vendetta: Jeffrey Ngai plays an assassin in his first lead role

A John Wick-inspired action thriller co-produced by Hong Kong and Japan, Road to Vendetta is a textbook case of style over substance.

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Jeffrey Ngai in a still from Road to Vendetta (category IIB; Cantonese, Japanese, English, Mandarin), directed by Njo Kui-ying. Sara Minami co-stars.
Asian cinema

Want to find solace in film? 10 movies that may offer catharsis and hope

Following last week’s tragic fire at a Tai Po estate in Hong Kong, we look at films in which humanity endures through the darkest of hours.

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Arata Iura (left) and Ryo in a still from Distance (2001), which was conceived in the aftermath of the sarin gas attack on the Tokyo subway system, carried out in March 1995 by the Aum Shinrikyo doomsday cult.
Asian cinema: Hong Kong film

How Johnnie To redefined Hong Kong’s gangster genre with 3 mid-2000s classics

Exiled, Mad Detective and Sparrow show the director at his eclectic best, mixing violence, humour and chaos.

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European cinema

British film about Hong Kong immigrants showed grim reality of their new lives

Soursweet (1988), about a Hong Kong family’s UK struggles, was a progressive film, despite the narrative controlled by its British makers.

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